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Word: cenerentola (lookup in dictionary) (lookup stats)
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...worked tirelessly in private training and in performance after performance in everything from operas to stage plays to commercial voice-overs, and garnered more lines on her resume than could be listed. They include major roles in “Candide,” “La Cenerentola,” “Into the Woods,” and “Pirates of Penzance;” solos at Forte! and Segue! (two concerts hosted by University President Laurence H. Summers in appreciation of excellence in the arts) and with the Harlem Boys’ Choir...

Author: NO WRITER ATTRIBUTED | Title: The Crimson’s Alternative Honorees for ’05 | 5/5/2005 | See Source »

...standout of the show is, Hosfield and Kathy D. Gerlach ’07 unhesitatingly named the female lead, Hirner. A Dunster resident who has trained classically since 9th grade, Hirner possesses a pure and clear voice, and was the lead of DHO’s 2003 La Cenerentola...

Author: By Emily G.W. Chau, CRIMSON STAFF WRITER | Title: ARTS MONDAY: DHO Candide Goes 1950s Style | 2/14/2005 | See Source »

...standout of the show is, Hosfield and Kathy D. Gerlach ’07 unhesitatingly named the female lead, Hirner. A Dunster resident who has trained classically since 9th grade, Hirner possesses a pure and clear voice, and was the lead of DHO’s 2003 La Cenerentola...

Author: By Emily G.W. Chau, CONTRIBUTING WRITER | Title: DHO Candide Goes 1950s Style | 2/14/2005 | See Source »

...Cenerentola,” which follows the Cinderella tale almost to a tee, plays a few of its own tricks on the classic story: Prince Charming (the Italian Prince Ramiro, played by Frank C. Napolitano ’05) disguises himself as his personal valet (all the better to be the voyeur with, my dear!), and a pair of golden bracelets replaces the glass slipper Cinderella leaves on the ballroom steps, so that none of the actors go unshod—a distinct taboo in the days of Roman censors...

Author: NO WRITER ATTRIBUTED | Title: Opera Review | 2/21/2003 | See Source »

Though their voices are occasionally overpowered by the orchestra, which might have benefited from a few more rehearsals, the strong collection of voices makes for an impressive show with a few twists on the familiar story. In this production of “La Cenerentola,” there are no pumpkin stagecoaches, no fairy godmothers and no omnipotent wands. But the DHO cast and crew work more than enough of their own magic to transmogrify the banal into the beautiful. Both Prince and Cinderella find love and beauty in the unlikeliest of places...

Author: NO WRITER ATTRIBUTED | Title: Opera Review | 2/21/2003 | See Source »

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