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Word: cenerentola (lookup in dictionary) (lookup stats)
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...grand manner and absolute command of style so necessary for Alessandro Scarlatti or Cherubini, she provided a good deal of hand-clasping and those imploring looks to the heavens which ought to be banned forever from the concert stage. In Rossini's Non Piu mesta (from La Cenerentola)--and Miss Berganza has something of a reputation as a Rossini specialist--one again heard impeccable vocalism which managed to be utterly unexciting. Though Non Piu mesta is one of the silliest both Giulietta Simionato and Victoria de los Angeles are still able to transform what is essentially a vocalise into something...

Author: By Kenneth A. Bleeth, | Title: Teresa Berganza | 11/17/1962 | See Source »

...City Center (opera, ballet, theater), tried to make it work. Through a $200,000 Rockefeller grant, he helped commission such modern operas as Aaron Copland's The Tender Land and the daring stage designs for Von Einem's The Trial, revived such confections as Rossini's Cenerentola. The Center was losing some $100,000 a year, but Kirstein often helped with money fromhis own pocket...

Author: /time Magazine | Title: Music: No Excellence in New York? | 2/7/1955 | See Source »

...Berg's Wozzeck and Prokofiev's Love for Three Oranges, last week did a turnabout. It wet its thumb, leafed back through the decades, and uncovered a neglected oldtimer that had not been heard in Manhattan since the days of Andrew Jackson: Rossini's La Cenerentola (Cinderella). It left the opening-night audience whooping with delight...

Author: /time Magazine | Title: Music: Vocal Acrobatics | 4/6/1953 | See Source »

Down with Melodrama. Ironically, the real reason for Cenerentola's long neglect has been another quality of Rossini's score: it demands the coloratura style throughout. The men as well as the women are called upon for whirlwind runs, tumbling arpeggios and fluttering trills. Today's singers (except for a few sopranos with eccentric larynxes) consider coloratura about as easy as tightrope walking, and few bother to take the necessary strenuous training...

Author: /time Magazine | Title: Music: Vocal Acrobatics | 4/6/1953 | See Source »

...knew the company of young singers were willing to tackle anything, even coloratura. Moreover, Kirstein himself is tiring of the heavy melodrama of Verdi and the heavy orchestras of Wagner. He is betting that the future lies with compositions that combine high spirits and vocal acrobatics. He decided that Cenerentola might help him test his theory...

Author: /time Magazine | Title: Music: Vocal Acrobatics | 4/6/1953 | See Source »

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