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...here Miss De Shone made a mute but expressive gesture toward her shoulder straps) No, until the censors came there was no limit to my act. . . Oh, now don't misunderstand me; I think there is a limit to everything, but in this case I was my own censer...

Author: NO WRITER ATTRIBUTED | Title: Maxine De Shone, Statuesque Burlesque Queen, Prefers "Tall, Dark, and Handsome" Males | 5/8/1934 | See Source »

...capital to the right of the large Madonna and Child statue, represents on its principal face the angel appearing to Zacharias. The priest of the course of Abia is officiating at an altar covered with a cloth. In his right hand he holds a censer, in the left a book, but both objects are now much broken. Gabriel, with arms, stands before him. On the left face of the capital, Elizabeth, accompanied by a handmaiden or possibly a youth, is represented. On the right face, a genre scene representing the life about a mediaeval church is carved. The bell-ringer...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 1/28/1932 | See Source »

Again the animal motif is seen in the bronze censer surmounted by three lions, which in spirit resemble the Babylonian rather than the Assyrian. Though this piece is not of the same importance artistically as those already mentioned, still as an example of a decorated house-hold utensil it is not without interest...

Author: NO WRITER ATTRIBUTED | Title: Fogg Art Museum Exhibition Displays Findings of Harvard Expedition to Mesopotamia, and Shows Objects of Past Ages | 10/28/1930 | See Source »

...canser, yielded from Harvard excavations in 1927 and 1928, comes from the ruins of Nuzi, Iraq, 200 miles north of Bagdad. The city of Nuzi was destroyed by fire about 1500 B. C. and apparently was never rebuilt. The censer was found in a building which had probably been a temple or sanctuary on the principal mound of the ancient city and was used for the burning of incense before the gods. The city may have suffered destruction with the rise of Assyria...

Author: NO WRITER ATTRIBUTED | Title: COLLECTIONS and CRITIQUES | 2/25/1929 | See Source »

Embroideries, etchings by Gaya and Canal, prints by Durer and Holbein, a 3000-year old censer from Iraq and an antiphonary from Italy, partially represent the scope of an exhibition first opened at the Fogg Art Museum to display recent accessions...

Author: NO WRITER ATTRIBUTED | Title: COLLECTIONS and CRITIQUES | 2/25/1929 | See Source »

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