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Romance, directed by Catherine Breillat, promises to be among the most controversial films released this fall. The theme is sexual desire, illustrated by trs anatomical angles: fellatio, bondage and domination and even childbirth. If you hated the censorship in Eyes Wide Shut, you'll get quite an eyeful and earful here...

Author: By Susan Yeh, CONTRIBUTING WRITER | Title: Breillot: Porn to be Wild | 10/8/1999 | See Source »

...been here before, so the next act was familiar: museum defenders indignantly cited the First Amendment. Performance artist and freedom-of-expression activist Karen Finley, whose art career now seems secondary to her talk-show shouting, went on CNN to lament censorship. And the Brooklyn Museum of Art--which vowed to go on with the exhibition, damn the consequences--was soaked in publicity, creating the sensation it had hoped for. All before most New Yorkers have actually seen...

Author: /time Magazine | Title: New York's Art Attack | 10/4/1999 | See Source »

...must have thought that [the existence of naked singularities] would make things too easy for theoretical physicists, so he exercised a form of cosmic censorship," Hawking joked...

Author: By Parker R. Conrad, CRIMSON STAFF WRITER | Title: Hawking Describes Black Holes | 9/29/1999 | See Source »

...rigorously unsentimental David Horowitz as one of America's most original and courageous political analysts. He has the true 1960s spirit: audacious, irreverent, yet passionately engaged and committed to social change. I regard him as an important contemporary thinker who is determined to shatter partisan stereotypes and defy censorship wherever it occurs--notably, in this case, in the area of discourse on race, which is befogged with sanctimony and hypocrisy. As a scholar who regularly surveys archival material, I think that a century from now, cultural historians will find David Horowitz's spiritual and political odyssey paradigmatic for our time...

Author: /time Magazine | Title: Letters: Sep. 20, 1999 | 9/20/1999 | See Source »

Maybe the Depression made Hollywood do it. Most of the studios were losing money by 1932 (RKO declared bankruptcy), and racy films brought in the money. But they also fanned the ire of state and local censorship boards. In 1934 the new Production Code had teeth, and under Joseph I. Breen, a former newspaperman, it bit hard. Dialogue was denatured from snappy to sappy; gowns hid what they once revealed; evil lost a lot of its seductive plausibility. And as studios sought to rerelease their pre-Code films, Breen insisted that cuts be made in the master negative, thus censoring...

Author: /time Magazine | Title: Cinema: Back to the Dirty '30s | 8/30/1999 | See Source »

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