Word: centaur
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Dates: during 1970-1979
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...Mexico, former Chilean Ambassador Hugo Vigorena Ramírez, a career diplomat who resigned his post in Mexico City after the coup, claimed to have seen documents outlining what he called the "CIA's war against Allende." The alleged plan, code-named Centaur, was said to involve economic and psychological subversion of the Allende government, including such dirty tricks as introducing counterfeit money and upsetting the rhythm of crops. "The CIA plan prepared for the coup," insisted Vigorena. "It was a systematic campaign of torpedoing the government...
...coup. Administration officials issued unqualified denials of U.S. complicity-perhaps suspect in light of recent revelations about, say, the secret bombing of Cambodia in 1969 and 1970. There were equally strong denials from leaders of the junta that their coup had outside help. Most tellingly, the CIA called the Centaur plan a hoax...
...embarrassed silence. In a fight with his Master, he is liberated from his horse's body -- from the waist up. Good news would be unacceptable news for Malamud, so his hero becomes only half a man, cantering "across a grassy soft field into a dark wood, a free centaur...
This is a use of myth which has nothing to do with the more traditional uses throughout this century. Novels like Malamud's The Natural, Updike's The Centaur and Joyce's Ulysses, Barth has said, are certainly admirable successes, but as far as he is concerned, they are at the wrong end of the stick. The trick is not to find the mythic elements in everyday reality but to go straight to the myths themselves to find the real people inside the heroic shells. This is Barth's method in Dunyazadiad and the other two novellas, as well Perseid...
...camera cut from a speaking character to the listener or the speaker turned his back. This lack of dialogue strengthens the film's tangibility by having people do things rather than speak them, and it gives the impression of a pre-literate society in which few people but the centaur have much to talk about. Nor does Pasolini, Except for the centaur's prologue, there's no telling, just showing...