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...GOLDEN VOYAGE OF SINBAD passes one crucial test for the matinee trade: go out for popcorn and you will probably miss something good. Among the movie's major attractions are a one-eyed centaur, a winged griffin, a six-armed bronze goddess who comes to deadly life, and a rather testy flying homunculus. These creatures have their origin in the imagination and the work shop of Ray Harryhausen, a special effects whiz. He brings them all alive in a process called Dynarama, which would appear to combine equal portions of stop-action photography, elaborate multiple exposures and a kind...

Author: /time Magazine | Title: Cinema: Quick Cuts | 5/6/1974 | See Source »

...Mexico, former Chilean Ambassador Hugo Vigorena Ramírez, a career diplomat who resigned his post in Mexico City after the coup, claimed to have seen documents outlining what he called the "CIA's war against Allende." The alleged plan, code-named Centaur, was said to involve economic and psychological subversion of the Allende government, including such dirty tricks as introducing counterfeit money and upsetting the rhythm of crops. "The CIA plan prepared for the coup," insisted Vigorena. "It was a systematic campaign of torpedoing the government...

Author: /time Magazine | Title: The World: Was the U.S. Involved? | 10/1/1973 | See Source »

...coup. Administration officials issued unqualified denials of U.S. complicity-perhaps suspect in light of recent revelations about, say, the secret bombing of Cambodia in 1969 and 1970. There were equally strong denials from leaders of the junta that their coup had outside help. Most tellingly, the CIA called the Centaur plan a hoax...

Author: /time Magazine | Title: The World: Was the U.S. Involved? | 10/1/1973 | See Source »

...embarrassed silence. In a fight with his Master, he is liberated from his horse's body -- from the waist up. Good news would be unacceptable news for Malamud, so his hero becomes only half a man, cantering "across a grassy soft field into a dark wood, a free centaur...

Author: By Celia B. Betsky, | Title: Choose-Your-Own-Island | 6/12/1973 | See Source »

This is a use of myth which has nothing to do with the more traditional uses throughout this century. Novels like Malamud's The Natural, Updike's The Centaur and Joyce's Ulysses, Barth has said, are certainly admirable successes, but as far as he is concerned, they are at the wrong end of the stick. The trick is not to find the mythic elements in everyday reality but to go straight to the myths themselves to find the real people inside the heroic shells. This is Barth's method in Dunyazadiad and the other two novellas, as well Perseid...

Author: By Michael Levenson, | Title: Beyond the End of the End of the Road | 10/6/1972 | See Source »

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