Word: center
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Dates: during 1980-1989
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...defend such trips on journalistic grounds, but they are primarily promotional gimmicks meant to showcase the network's resident Bigfoot. "We're almost defining news in such a way as to say something's not important unless an anchor is there," says Everette Dennis, executive director of the Gannett Center for Media Studies. "That's regrettable. Sometimes the specialists on a particular subject ought to be the ones dominating the coverage, not the anchors, who are by definition generalists...
Another revealing glimpse into Montana's vivid past is on display at the glorious Deer Lodge Valley in the northern Rockies, ten miles west of the continental divide. The Grant-Kohrs Ranch, started by Canadian fur trader Johnny Grant in 1862, became the center of open-range cattle operations owned by German immigrant Conrad Kohrs. The ranch ran herds on more than 10 million acres in four states and Alberta, an area nearly the size of Switzerland. "Grant was the last mountain man, and Kohrs the first cattle baron," says Lyndel Meikle, a park ranger who has spent twelve years...
...scene of the Sioux City crash nearly as fast as the doctors did. They were determined to head off a well-known postcrash problem: unscrupulous lawyers soliciting clients on the scene in violation of ethics codes. Representatives of the state bar set up an office at the health center where many of the survivors had been taken for treatment. Bar officials also placed an ad in the Sioux City Journal asking people to call if they knew of any unethical contacts by attorneys. None were reported...
...chipping away at the conservatives since he took power 4 1/2 years ago, and now sometimes gives the impression that he is willing to destroy the party in order to save it. By creating a new legislature and making himself head of state, he has built a fallback power center from which he can bombard the party's hard-liners and, if necessary, defend against their counterattacks...
...trademarks of a Peter Sellars production are that it's fresh, different, full of gags and surprises. Sellars did The Mikado with a character vrooming around on a motorcycle, and he set Handel's Orlando at the Kennedy Space Center. But a question remains: Do the elegant and aristocratic operas of Mozart really need to be jazzed up, gagged up, camped up and wrestled into the postmodern...