Word: central
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Dates: during 1950-1959
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...sketch this scene to convey something of the spirit of the Rue de Salaud--approximately sixteen blocks of cold-water flats, back stairs, and cracked plaster stretching from the Radcliffe Graduate Center to Central Square. This is the Left Bank of the Charles, the garret-estate of the unwashed literati, the tenements of the night-crawler--that interim period creature who walks the Cambridge streets between Commencement and Summer School...
...last week was a 35-page legal ruling that reopened the running sore of the Little Rock desegregation crisis. U.S. District Judge Harry J. Lemley, sitting temporarily in Arkansas' Eastern District, granted a petition by the Little Rock school board to suspend racial integration at Central High School until January, 1961. Reason: while the Negro students "in the Little Rock district have a constitutional right not to be excluded from any of the public schools on account of race," desegregation has simply "broken down under the pressure of popular opposition," and the community needs a breathing spell...
...move, the National Association for the Advancement of Colored People filed an appeal to the U.S. Court of Appeals for the Eighth Circuit in St. Louis. Meanwhile, the N.A.A.C.P. asked Judge Lemley for a stay of execution to allow the remaining seven of the original nine Negro students at Central High (one girl was expelled last February, studied in New York City; one boy graduated last fortnight, is entering Michigan State University) to stay on at Central High next September and thereafter until the final word from...
...nothing had changed. In a burst of gratitude to the party, Shostakovich, 51, and Khachaturian, 55, promptly approved a decree criticizing "unhealthy trends" in recent musical works. To disassociate himself from the dangerous moderns, third-rate Composer Vano Muradeli, 50, chimed in with an expression of gratitude for the Central Committee's "justified criticism" of his opera, The Great Fellowship, added that he had edited all the formalist perversion right out of the score...
...damned from the saved (including a Pope) in the foreground, while Christ sits on high in judgment, flanked by the Apostles and the Virgin Mary on one side and John the Baptist on the other. Il Borgognone, in St. Benedict's Miracle of the Sieve, shows his central figure moving through the pious story then popular: at prayer (left), displaying the flour sieve he had miraculously mended (center), and finally leaving in displeasure and disappearing into the distance (right) after the maids prattled about his power...