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Word: central (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...year ago, it required the diligence of a scholar or the enthusiasm of a displaced patriot to inform oneself on current events in Central and Eastern Europe. It is good to see that the Iron Curtain is now rusting on both sides...

Author: /time Magazine | Title: Letters: Apr. 19, 1968 | 4/19/1968 | See Source »

...liberalization, with re-establishment of some of the basic freedoms, without outside help or interference. The question arises: Is it worth it or justified to fight Communism with precious American blood in the jungles of Southeast Asia when the same system seems gradually disintegrating from the inside in Central Europe...

Author: /time Magazine | Title: Letters: Apr. 19, 1968 | 4/19/1968 | See Source »

This time I got an individual test administrator and a private cubicle. I finished the tests as well as I could. After the ordeal I rejoined my original group for lunch. The Army careteria had all the rich atmosphere of a foxhole. The food was one grade below Central Kitchen's. The hot dogs and beans added a zesty tang to the ketchup. The bread had the buoyancy of a frisbee...

Author: By Rotc TRICK Knee team and Captain No-l, S | Title: Alice's Restaurant Revisited | 4/17/1968 | See Source »

Both Herba and Coonradt have avoided the central pitfall of director's cinema, that of self-indulgence. Lady Jane, while maintaining a tenuous balance between two realities, one conventional and one dreamlike, remains always rigorously disciplined with careful attention paid to continuity and (truly superb) rhythm in its editing. Coonradt instantly establishes the premise, Jane's struggle to maintain a diffuse personality against her singularly insensitive room-mate and the other girls in her dorm, with an opening shot of Jane outside which surprisingly pulls back to reveal the other girls inside. Equally powerful in its economy is Jane...

Author: By Tim Hunter, | Title: Two Student Films | 4/16/1968 | See Source »

...Herba's central purpose is best defined by shots where the boy alters the light conditions of a room by playing meditatively with the settings on a three-way bulb. Herba makes difficult things look easy; Stranger, for its effortless appearance, is remarkably stylized, proving an entirely successful blend of hand-held and static movement, zoom and fixed-focal-length photography, day-and-night and interior-and-exterior footage--a true synthesis which creates a film reality...

Author: By Tim Hunter, | Title: Two Student Films | 4/16/1968 | See Source »

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