Word: centralized
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Dates: during 1960-1969
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...most urgent services Hickel can perform is yet to come-not in the wilderness, but in the nation's cities. He speaks of plans for central-city swimming pools, city hiking trails and more vest-pocket parks. "A great national park is a glorious thing," he says, "but the boy sitting on the steps of a ghetto tenement deserves a place where he can discover that the sky is larger than the little hole he can see between the buildings...
...July 1967, few people outside New Jersey knew much about Newark, an old industrial city with a population of 407,000, roughly the same as Kansas City, Mo. Newark is still scarred by the riot, which took 23 lives and caused $10 million in property damage. Parts of its central core look like bombed-out Berlin after the war. Abandoned buildings with shattered windows cast their shadows over littered sidewalks and stripped, rusting autos. Springfield Avenue, the main shopping street of Newark's black ghetto, is now largely boarded up. Increasingly, whites cluster on the fringes of town...
...CENTRAL figure in the story, Emiliano Zapata, became a mythical being in his own lifetime. To the Lift in Mexico and around the world, Zapata is the purity of the Revolution, and the intransigent spirit of the People. His best-known statement of policy, "It is better to die on your feet than to live on your knees," was one of the slogans in the Mexico City student revolt only last summer. (Womack is not sure Zapata ever said it, and the students attributed the remark to Father Hidalgo, the fervent but inept tocsin-sounder of the Revolution...
...troupe out of the ghetto he grew up in--taken the impoverished Atma Theatre out of Castle Square and into a church basement. An exciting experiment of the arts in the ghetto has ended. But the Atma began anew Thursday evening at the Charles Street Meeting House in central Boston. It has not failed--only moved to where it can be seen...
Lena (Lena Nyman) is at once Yellow's nominal subject and central symbol. An ardent political activist, she carries radical, rabble-rousing signs and participates in all sorts of public demonstrations, including coupling with her boy friend Börje (Börje Ahlstedt) on a balustrade in front of Stockholm's Royal Palace. When Lena runs off to the countryside, Börje follows and turns her meditation into a Portnoyesque scene that is certain to get the film banned west of the Hudson and north of The Bronx...