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...because they were necessarily artworks but simply because it was the only library that stored flat materials. Their subject matter ranges from politics to health and hygiene and are from a wide range of time periods. Recent finds also include a copy of the architectural plans for Grand Central Station, a photograph of a scoreboard from a World Series game with Babe Ruth’s name on it, and autochromes (early color photographs on glass) by the Lumière brothers of filmmaking fame. The Portrait Collection, the bulk of which was donated in the early 20th century...

Author: By Alexandra perloff-giles, CRIMSON STAFF WRITER | Title: Fine Arts Library Collection ios Relocated | 4/24/2009 | See Source »

...Elks Lodge in Central Square, with its cheap paneled walls, dinged-up wood floor, and grey concrete basement, looks like a mausoleum for the 1970s. But it was full of life three weeks ago, when a group of about 60 people—with plenty of tattoos, scruffy facial hair, and bobbed haircuts between them—milled about in easy, friendly chatter...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Hardcore Harvard | 4/24/2009 | See Source »

...insularity, there is also a more diverse and welcoming community of DIY punk, hardcore, and post-hardcore bands like Bogan’s that has long been open to a small group of Harvard students like Humphreville. These punk rockers, despite occupying a peripheral position on campus, have been central players in the scene...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Hardcore Harvard | 4/24/2009 | See Source »

...According to Angela Sawyer, the owner of Central Square’s Weirdo Records and singer of Exusamwa—a band that is led by former WHRB president Doug M. DeMay ’94—this sense of a true community is what sets Boston apart from places like New York. “To me, it’s the best combination of small town and big city,” she says...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Hardcore Harvard | 4/24/2009 | See Source »

...joke is that nobody notices. He’s the analog of Wall Street’s own psychosis.What better metaphor than a vampire for the Patrick Batemans of the opposite coast, literally sucking the marrow of life? Lusty consumption drives and sustains the film’s central group, led by a sensitive if shallow performance from Jon Foster as Graham, son of the producer, dealer to the rock star, and resident of the doorman’s building. Without that metaphorical structure, the film sags under its own weight. It was hard enough to take the 80s seriously...

Author: By Jillian J. Goodman, CRIMSON STAFF WRITER | Title: The Informers | 4/24/2009 | See Source »

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