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...then, “Love & War” has already succeeded, and it’s easy to spot him a throwaway track. Those looking for Winehouse’s male counterpart may be disappointed—Merriweather has an expressive voice with a surprising upper register and a certain reckless charm to boot, but he ultimately can’t match Winehouse for alluring audacity. Even so, what Merriweather proves is that with a catchy melody, impassioned vocals, and some soul, the same corny lines still sound good the thousandth time...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: Daniel Merriweather | 2/23/2010 | See Source »

...were living in slow motion, the movie would be just another movie. But he didn’t say this.’” By this day, the movie’s slowness no longer lends him clarity; he can’t be certain of the details he’s witnessed, is unsure of the number of times he’s watched a particular scene. On any scale, then, things begin to blur after a while, one becomes unsure of one’s self...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: 'Point Omega' Explores Complexity and Consciousness | 2/23/2010 | See Source »

Williams called “The Glass Menagerie” a “memory play,” which suggests that the piece should run more on its atmosphere than concrete facts. Williams himself has a poet’s weakness for symbols, and the play needs a certain fragility to keep it from being overly melodramatic. The current production in the Loeb sets the right mood and proceeds with confidence. When it plods, it also does so with charm...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: ‘Menagerie’ Shines Despite Added Sap | 2/23/2010 | See Source »

...Certain performance numbers, however, are downright spectacular, like the well-known tune “I Just Can’t Wait to be King,” which features 18-foot high tent-like giraffe neck-puppets that bow and bend to the audience, even nuzzling a few lucky theatergoers in the front...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: 'Lion King' Tour Reigns Supreme | 2/23/2010 | See Source »

...Dyet! Dyet! Dyet!” in the syncopated passages of the first movement of the “Eroica” or loudly exhaling a sensual, satisfied “Syaaah!” at the climax of the second movement of the Fourth. While a certain sort of listener might find those noises distracting, it is energizing to realize that the even best conductors love the music they do because it fills them with the same sort of impulse to sing along and dance that anyone catches from music they love...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BSO Plays Third and Fourth, Comes Out First | 2/23/2010 | See Source »

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