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Word: certainly (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Grateful though we are for the colorful account of WAPE, Jacksonville, in the Aug. 24 issue, there are certain statements made that simply do not equate the facts...

Author: /time Magazine | Title: Letters, Sep. 14, 1959 | 9/14/1959 | See Source »

...Dwight Eisenhower headed homeward, his successes only made it more certain that still more responsibility lay upon him to keep his quest for relaxation moored to the principle that has served him well: "Strength can cooperate; weakness can only beg." That principle might have prevented the holocaust that Europe mourned last week. Today Ike's principle might not only prevent World War III but might yet find a new kind of victory...

Author: /time Magazine | Title: THE NATION: Success & Responsibility | 9/14/1959 | See Source »

...columns of Britain's newspapers erupted in praise and censure of the bishop. Romanesque Anglican Harris packed off to a small hotel in Devon, "desolate" at his dismissal. He could not and would not become a Roman Catholic, he said. But he still had a puckish message for "certain" people in the Church of England: "Up the Pope...

Author: /time Magazine | Title: Religion: The Trouble at St. Andrew's | 9/7/1959 | See Source »

...Leon Golub, 37, paints men in pain. His views are frontal and direct: lumpish, lacerated heads with dull yellow catlike eyes. His technique-layer on layer of colored lacquer, chipped, gouged and pumiced-gives the effect of eroded sculpture come hauntingly to life. They resemble certain Romanesque statues Golub saw while on a trip to Italy, but he claims never to "look back" or dissect. "Other painters are tearing man apart, but not me. I'm giving him a monumental image. I want man to survive...

Author: /time Magazine | Title: Art: Here Come the Monsters | 9/7/1959 | See Source »

...Japan were called Ukiyo-e, meaning "Picture of the Passing World." They were just that: pictures of solemn actors, sprightly geishas, idyllic landscapes. Japan's modern wood-printers turned to semiabstract compositions, employ many techniques known to their forerunners; e.g., they often wet their paper to obtain a certain texture, but also experiment with leaves, string, the heel of a shoe to get special effects with an ingenuity Western printmakers have not displayed...

Author: /time Magazine | Title: Art: NEW SHAPES IN OLD WOOD | 9/7/1959 | See Source »

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