Search Details

Word: cesar (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Fifteen years have passed; little Cesariot is now old enough to become a soldier, and Panisse is on his death-bed. That is the way things are as Marcel Pagnol begins "Cesar," the last part of his celebrated French trilogy of the Marsailles waterfront folks. "Marius" and "Fanny," the other two films dealing with the people, were perhaps funnier, for "Cesar" is more concerned with plot and its happy ending...

Author: By George A. Leiger, | Title: Cesar | 5/20/1949 | See Source »

...outdoor shots were made in Maine, and are much better than average to look at; but for some strange reason the crisp camera work is steeped in sepia so rich that the whole world looks like strong tea. There is competent character acting by Anne Revere, Ed Begley and Cesar Romero...

Author: /time Magazine | Title: The New Pictures, Jul. 12, 1948 | 7/12/1948 | See Source »

Next day, the critics were merciless. Composer Cesar Cui called the symphony's discords "devilish"; Rimsky-Korsakov told Rachmaninoff, "Forgive me, I do not find this music at all agreeable...

Author: /time Magazine | Title: Music: Devilish Discords | 3/29/1948 | See Source »

Captain from Castile (20th Century-Fox] is a big, bright-colored packaging of Samuel Shellabarger's best-selling historical novel about the era of Cortes. Tyrone Power keeps a medium-tight rein on his passionate Spanish nature; Lee J. Cobb is a boozer who likes disguises; Cesar Romero-a rather thin Stout Cortes-wears a rich black beard. Newcomer Jean Peters plays a pretty, vacuous runaway barmaid who is described, enthusiastically, as "a wench for the New World." Thomas Gomez, in priestly robes, puts forward a few ill-chosen words in favor of the conquest of Mexico (something...

Author: /time Magazine | Title: The New Pictures, Jan. 5, 1948 | 1/5/1948 | See Source »

...attributing of "sexiness" to Gounod, that master of banality in music, shows a lack of discernment somewhere. Cesar Franck, a devout Catholic, wrote music whose sensuality is unsurpassed in the late romantic era. His models were Liszt and Wagner, both of whom did their level best to transfer their sexual emotions to music. But who knows that the Bach fugues that some consider so dry and pedantic at this time were not the height of voluptuousness when they were created? And Mozart, who so often is accused of superficiality, was in a sense the Wagner of his time, only...

Author: /time Magazine | Title: Letters, Jul. 7, 1947 | 7/7/1947 | See Source »

Previous | 101 | 102 | 103 | 104 | 105 | 106 | 107 | 108 | 109 | 110 | 111 | 112 | 113 | 114 | 115 | 116 | 117 | 118 | 119 | 120 | 121 | Next