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Word: cesario (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...quick shots focusing on a variety of stomachs for Alka-Seltzer, he spent ten days "interviewing abdomens," auditioned 40 belly dancers until he found one without stretch marks around her navel. In one three-second shot of a boxer battering the stomach of his opponent, he used Middleweights Johnny Cesario and Joey Archer. The scene was so realistic that Cesario, caught in the cheers of the extras, the smoke and the popping flash bulbs, confided during a break: "I can take this...

Author: /time Magazine | Title: Commercials: Master of the Mini-Ha-Ha | 11/24/1967 | See Source »

...world as though he had just been sitting for a sober portrait by Van Dyck or Rembrandt. Feste the Clown is dressed in pink and rose, and makes use of hand-pup-sets. The earnest Viola first appears is dark gold; but when she disguises herself as the page Cesario, both she and her twin brother Sebatian (each believing the other drowned) are clothed in white-ruffed cerulean, exuding the purity of Gainsborough's "Blue...

Author: By Caldwell Titcomb, | Title: STRATFORD SHAKESPEARE FESTIVAL: II | 7/8/1966 | See Source »

...duel between Andrew and Cesario offers a director a fine chance to show some comic inventiveness, and fortunately Hauser was up to it. Andrew begins the fight with a fencing manual in his left hand, and before you know it Cesario with up holding both swords. In a subsequent go-around Andrew is so afraid of opening his eyes that he finds himself blindly bashing against the sword hanging at Sir Toby's side. This whole skirmish is a howl...

Author: By Caldwell Titcomb, | Title: STRATFORD SHAKESPEARE FESTIVAL: II | 7/8/1966 | See Source »

Patricia Peardon makes a beautiful Olivia, though she is not at ease with her lines; and the veils she and her retinue wear when Viola-Cesario first visits her ought to be far less transparent. Elizabeth Parrish needs to invest the part of Olivia's maid Maria with more vivacity. Fabian, her male counterpart, fails in the hands of Julian Miller to leave much of any impression...

Author: By Caldwell Titcomb, | Title: STRATFORD SHAKESPEARE FESTIVAL: II | 7/8/1966 | See Source »

John Cunningham's Duke is clear but tepid. Adolph Caesar brings a rich voice to the Priest, but his make-believe senility is false. Stephen Pearlman's Antonio exhibits acrocious diction and no comprehension. And how could the director allow him to pass right by Viola-Cesario when exiting in pursuit of the look-alike Sebastian without Antonio's batting an eye? The suspension of disbelief can stretch only...

Author: By Caldwell Titcomb, | Title: STRATFORD SHAKESPEARE FESTIVAL: II | 7/8/1966 | See Source »

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