Search Details

Word: cetra (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...native Venice as "Il prete rosso" (The red priest), composed some 40 operas and 400 concerti grossi. Some of them fascinated his contemporary, Johann Sebastian Bach, so much that Bach made numerous Vivaldi transcriptions. This month, on the heels of the worldwide Bach anniversary celebrations, Italy's Cetra-Soria Co. has put the case for its countryman in two handsome LP albums. The first includes the Piano Concerto in B Minor, rearranged from Bach's transcription, the Concerto Grosso in D Minor, Op. 3, No. n and a largo from a violin concerto. In the second...

Author: /time Magazine | Title: Music: New Records, Aug. 7, 1950 | 8/7/1950 | See Source »

Puccini: II Tabarro, Gianni Schicchi (Cetra-Soria, 2 sides LP each). These two one-acters, with Suor Angelica, make up Puccini's Triptych, which had its world premiere at Manhattan's Metropolitan Opera House in 1918. Gianni Schicchi, which still survives at the Met, is a bright and appealing piece of foolishness. In this recording, it is a roaring fine vehicle for first-rate Baritone Giuseppe (Falstaff) Taddei. Il Tabarro (The Cloak) is Puccini at his most melodramatic blood & thundering. These Radio Italiana performances give both operas their full due; so does the recording...

Author: /time Magazine | Title: Music: New Records, Jul. 3, 1950 | 7/3/1950 | See Source »

Verdi: Falstaff (Giuseppe Taddei, baritone; Saturno Meletti, baritone; Emilio Renzi, tenor; Gino Del Signore, tenor; Giuseppe Nessi, tenor; Cristiano Dalla Mangas, bass; Rosanna Carteri, soprano; Lina Pagliughi, soprano; Anna Maria Canali, mezzo-soprano; Amalia Pini, mezzo-soprano; orchestra and chorus of Radio Italiana, Mario Rossi conducting; Cetra-Soria, 6 sides LP). This is a slightly different Falstaff from the one NBC listeners have just heard from Arturo Toscanini (TIME, April 10). Orchestrally, it lacks the carefulness and cleanness of Toscanini's performance, and Conductor Rossi allows his singers, all excellent, more swagger and sway. But stylistically...

Author: /time Magazine | Title: Music: New Records, Apr. 24, 1950 | 4/24/1950 | See Source »

Puccini: Turandot (Gina Cigna, soprano; Armando Giannotti, tenor; Luciano Neroni, basso; Francesco Merli, tenor; Magda Olivero, soprano; Afro Poli, baritone; EIAR Symphony Orchestra and chorus, Franco Ghione conducting; Cetra-Soria, 6 sides LP). Puccini's last, but not best opera gets as good a performance as possible. Recording: good...

Author: /time Magazine | Title: Music: New Records, Apr. 24, 1950 | 4/24/1950 | See Source »

...market bidding loudly for consumer support, and it looks as if they both will be around for quite a while. Columbia and Victor each proclaim that its record is the best ever conceived by man. Meanwhile, smaller record companies are making their choice. Capital has joined Victor; and Mercury, Cetra, and Concert Hall have gone along with Columbia. Decca, a key company, has decided to stand by for the present and watch its competitors slug...

Author: By Edward J. Sack and David H. Wright, S | Title: Brass Tacks | 4/26/1949 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | Next