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Through the use of intense live-action shots along with extensive yet tasteful use of CGI, Woo successfully captures the enormity of the war scenes as well as the immediacy of one-on-one combat and melee face-offs. The sheer vastness of Woo’s Chinese navy and army—with tens of thousands of ships extending past the horizon—encourages a dizzying suspension of reality. Whether witnessing enemy horses blinded by mirror-shields, naval ships destroyed by suicide fireboats, or diseased, dead soldiers floated across to the enemy’s shore to infect...

Author: By Alex C. Nunnelly, CONTRIBUTING WRITER | Title: Red Cliff | 11/13/2009 | See Source »

...Christmas Carol cost a bundle, $200 million, and no doubt Disney would have liked a bigger start for their way-before-Christmas movie. But it registered the best first weekend of any Jim Carrey movie of the past five years in which he has been seen. (In the CGI-cartoon version of Dr. Seuss' Horton Hears a Who, Carrey provided the elephant's voice.) And Goats opened stronger than any Clooney movie of this decade that didn't costar Brad Pitt. The Box certainly didn't measure up to recent Diaz openings, even middling ones. But, like Goats, it cost...

Author: /time Magazine | Title: A Christmas Carol Wins — and Loses — the Weekend | 11/8/2009 | See Source »

Ortega and Jackson had some Berkeley-size production numbers in mind. A version of "Smooth Criminal" interpolates Jackson into antique movie clips with Rita Hayworth, Humphrey Bogart and Edward G. Robinson. "They Don't Care About Us" sends 1,100 CGI soldiers marching down a kind of Champs-Elysées whose Arc de Triomphe is bent into an M for Michael. "Thriller" was to boast 3-D effects. And "Earth Song," the rain-forest-message number, has a dewy child (a girl, if you're wondering) facing down a bulldozer, which was then to motor toward the front...

Author: /time Magazine | Title: Michael Jackson's This Is It Review: He's Still a Thriller | 10/28/2009 | See Source »

...manga series that spawned a TV cartoon series from the '60s. (I confess I never saw it, because I was out doing stuff that decade.) The new version, streamlined and Americanized, but with animation from the Hong Kong company Imagi, lacks the brand recognition of the big CGI studios, but the movie has its charms. It's fun, encyclopedically derivative and pretty darned affecting. (See TIME's pictures "Animated Movies: Not Just for Kids...

Author: /time Magazine | Title: Astro Boy: Sweet Sci-Fi for Your Inner Child | 10/23/2009 | See Source »

...dipped into screenwriting earlier this year with Sam Mendes’ “Away We Go”—crafted nine compassionate, insecure, and endearingly humorous beasts from the mute monsters of Sendak’s book. A compelling combination of animatronics and CGI, these gargantuan monsters come to life with the exceptional voice work of Oscar-winning greats like Forest Whitaker and Chris Cooper...

Author: By Andres A. Arguello, CRIMSON STAFF WRITER | Title: 'Where the Wild Things Are' | 10/16/2009 | See Source »

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