Word: cgi
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Like everything Abrams does, Star Trek will be a savvy, glossy, professional operation, tricked out with clever writing and grand set pieces and the kind of CGI that looks just like the real thing except that it smells like money. And I, for one, plan to enjoy it richly. I'm expecting the most exciting Trek in years...
...Night of the Living Dead” in 1968, the zombie movie genre has attracted a cult following all its own. Over the years, the slow-moving, heavily made-up zombies of the classic black and white horror films have transformed into the disease-crazed, CGI-enhanced undead of modern-day thrillers such as “28 Days Later.” Though zombies have become progressively more physically complex throughout film history, the mystery hiding behind those ashen complexions in the mind of the undead still remains unclear. However, Coolidge Corner Theatre’s Science On Screen...
...this, but it really isn’t that fortunate. We get Miley walking down a Roman-straight road, getting rained on—ending up wet once again—and somehow finishing up at the top of the Grand Canyon in blazing sunshine. There are also some CGI horses—which kind of resemble the stampeding Gallimimus from “Jurassic Park,” except much lamer—and a bizarre repeating habit where Miley throws a rose, her coat and not one but two boots over her shoulder. Dear Miley: it?...
...plot and dialogue, but the visual palette was way too dark for me to take legible notes, and frankly, though I saw it at a midnight screening hours ago, the movie just wasn't that memorable. Suffice to say that there's much bounding about by furry, blurry CGI werewolves, quite a few decapitations and a poignant but nifty crisping of one of the vampires when exposed to sunlight. Being set in an earlier day (night), Lycans renounces the whizzing Matrix-like bullets of the first two movies for swords and a heavy-metal bow-and-arrow contraption that brings...
...CGI animation studios, Pixar and DreamWorks, stand above the rest as multibillion-dollar box-office titans and as entertainment delivery systems. But they have distinct, nearly opposite artistic personalities. Pixar (Toy Story, Finding Nemo, WALL-E) is the clear avatar of the Walt Disney style, stressing sympathetic characters and seamless storytelling. DreamWorks (the Shrek trilogy, Shark Tale) updates the dazzle and impudence of the Warner Bros. cartoon studio of the '30s, '40s and '50s - a faster pace, lots of sight gags and pop-culture allusions; its movies tend toward anarchy but land in vaudeville. DreamWorks is contemporary, Pixar timeless. Both...