Search Details

Word: ch (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

Next stop for Viviane and Violin Concerto: the U.S. première in Los Angeles, with Chávez conducting the Los Angeles Philharmonic, later this month...

Author: /time Magazine | Title: Music: 45 Minutes in Mexico | 3/10/1952 | See Source »

...andante itself was slightly reminiscent of Bartok. But from then on, the rest of the concerto was undiluted Chávez-bursting with repeated-note, marim-balike rhythms, themes sometimes curiously plaintive, sometimes broad with the flavor of mesquite and wide-open spaces, and orchestrated throughout with all the colors of a Mexican scrape. Some listeners found it too long (45 minutes); there were eight movements, plus a long cadenza which demanded, and received, much from its performer, but added little to the concerto. Once Viviane halted calmly to tune her violin, while the orchestra played on, and drew...

Author: /time Magazine | Title: Music: 45 Minutes in Mexico | 3/10/1952 | See Source »

...young Manhattanites listened with growing interest as the fine Sinfonia India of Mexican Composer-Conductor Carlos Chávez boomed from their radio. Viviane Bertolami, a tall, dark-haired girl with a passing resemblance to Hedy Lamarr, was even more intent than her husband, Murray Kirkwood, an employee of I.T. & T. Before she married at 18, she had made her debut as a concert violinist; at 22, she had a child to think about, but she also wanted to pick up her career again. The Kirkwoods made "the decision of our lives." They would use their savings to commission...

Author: /time Magazine | Title: Music: 45 Minutes in Mexico | 3/10/1952 | See Source »

Viviane followed fiery little Carlos Chávez onstage. He stepped up on the podium in front of the National Symphony Orchestra. Viviane launched into the broad theme of the opening andante with a firm, strong tone...

Author: /time Magazine | Title: Music: 45 Minutes in Mexico | 3/10/1952 | See Source »

...Paulo's freewheelers, the biggest and freest is Count Francisco Matarazzo Jr., 51, who may well enjoy the world's largest personal income (after taxes). From his pigskin-paneled countinghouse above Sáo Paulo's Viaducto do Chá, the count* runs his 300 enterprises (textiles, cereals, shipping, refining) in the style of a 16th century Florentine prince. Big, bleak and impeccably dressed, the count operates from a deep couch in the corner of his immense office. Across the room is a board with vertical lines of electric buttons. At a sign from the count...

Author: /time Magazine | Title: BRAZIL: City of Enterprise | 1/21/1952 | See Source »

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