Word: ch
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Dates: during 1950-1959
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...Jungle. There are mechanical crèches, including that of the local St. Vincent de Paul Society in Beirut, Lebanon, which is 35 ft. by 23 ft., with foot-high Wise Men, shepherds, animals moving in opposite directions against a papier-mâché background of Judea. Overhead, the Star of Bethlehem and angels wheel through the sky, real rain falls, water turns a mill wheel, and on a silken coverlet a Christ child (wired for six volts) raises his head and opens his blue eyes...
...Chéri, like Gigi, was adapted from Colette by Anita Loos. As Gigi hoisted a young girl, Audrey Hepburn, into the limelight, Chéri may hoist a young man, Horst Buchholz. Playing the title role, this European film actor manages-not wholly through ability but through his matinee-idol appearance-to be the most effective part of a generally empty show. He plays the overindulged, sexually precocious, humanly immature son of a pre-World War I grande cocotte, who has brought him up to make a rich marriage...
...both the teen-age Chéri and his between-age Léa, life is over at the end of Act I-and so is the play. Thereafter, the two can only mope while apart, come uneasily together, then part once more. When they meet, they talk too much, weep too much, morali e too much. Between whiles, Chéri chiefly features amusing-looking demireps, whose talk is incredibly dull. Eventually Léa. at 60, reaches the age of content, but Chéri kills himself...
Fairly interesting while chronicling its love affair, Chéri afterward does little realistically with fractured lives, little nostalgically with fragrant memories. There is no more wit to its frivolous scenes than depth to its sober ones. The audience can only watch a lost young man and a woman who gets older and older. At whatever age, Kim Stanley proves a gifted actress, but she seems about as Gallic as cornflakes and as demimondaine as Betsy Ross. She is forever fighting a role as well as a script...
...July 14 revolution in Iraq and for a week Baghdad was all holiday celebration. Down the hot, dusty streets where a year ago mobs dragged the mutilated bodies of Nuri asSaid and Crown Prince Abdul Illah, clowns danced, balloons bobbed, Girl Scouts marched, a giant papier-máché fist rolled by on a float, clutching the viper of imperialism, and a military camel in the parade, poked playfully by happy patriots, turned and spat expertly in their eyes. And under the crisp salute of Premier Karim Kassem-hero of the revolution and a year later still very much...