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Directed and Written by CLAUDE CHABROL...

Author: /time Magazine | Title: Cinema: High-Wire Melodrama | 2/24/1975 | See Source »

...movie by Claude Chabrol, evil is never discreet or dispassionate. Once his characters opt for bad behavior, it instantly becomes an obsessive preoccupation. They become positively fussy as they pat into place and hover anxiously over the development of plots against virtue and propriety that are self-satirical as well as self-defeating in their loony complexity. As a result, Chabrol's tragedies and near-tragedies almost always teeter on the edge of farce. In his best work, there is something of the fascination of a high-wire...

Author: /time Magazine | Title: Cinema: High-Wire Melodrama | 2/24/1975 | See Source »

...Chabrol is close to his best in La Rupture, a story so maniacally convoluted as to defy description, but totally absorbing. Basically it is about a strong, simple, good young housewife (Stephane Audran) whose husband has for no good reason turned to drugs and violence. After one of his rages puts their son in the hospital, she is determined to divorce him. But his very rich, authoritatively lunatic father is equally determined that she will not obtain custody of the child. The old man hires a shifty young man (Jean-Pierre Cassel) either to discover or to invent evidence...

Author: /time Magazine | Title: Cinema: High-Wire Melodrama | 2/24/1975 | See Source »

Moral Struggles. This scheme is as wild as any ever manufactured by a Victorian theatrical melodramatist and if Chabrol's plot reminds us of antique theatrical forms, so do his characters. They seem to exist mainly to demonstrate how - caught up in our own pre occupations and bemused by the ambiguities and polite deceptions of modern behavior - we miss the moral struggles going on around...

Author: /time Magazine | Title: Cinema: High-Wire Melodrama | 2/24/1975 | See Source »

...bunker this week. Like If I Had A Million and that recent film on the Munich Olympics, this is a conglomerate movie, with different directors each interpreting the same subject--here, Paris. The directors are mostly New Wave in this case: Jean-Luc Godard, Eric Rohmer, Claude Chabrol, others, and--though the information I have here doesn't say so--I could have sworn that Louis Malle did a bit for this one, the best...

Author: By Richard Tumer, | Title: THE SCREEN | 1/16/1975 | See Source »

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