Word: chaliapin
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...TIME covers are a special responsibility of Assistant Managing Editor Dana Tasker. He presides at weekly cover conferences at which editors pick cover subjects, sometimes weeks, sometimes months in advance. Then he and one of the three cover artists-Ernest Hamlin Baker, Boris Artzybasheff and Boris Chaliapin-decide on the symbolism to accompany the portrait (e.g., for Petrillo, a foot stepping on a pile of phonograph records). Most TIME cover stories are written and edited by the regular staffs of the section in which they appear. Certain cover stories, that present special difficulties or call for a special literary skill...
...more than a year, Baker sweated out the bulk of these new covers. Then, Artzybasheff and Boris Chaliapin came along to contribute their respective talents. Tasker was, and is, liaison man, interpreting his and the editors' ideas to the artists and vice versa. With Baker's third cover (April 24, 1939) a symbolic swastika was inserted in the background of the Heinrich Himmler portrait. From that time on interpretive symbolism has been an increasingly significant part of the cover-to help identify portraits not immediately familiar to everybody, and to highlight the cover subjects' current news value...
...knows she is, and she glories in it. Hedda once suggested on the air that interested listeners might design and send her some nice new hats. She received 65,000-none quite the equal of her latest, by Artist Chaliapin (see COVER). Louella Parsons never had it like that...
...Estonians, Latvians and Lithuanians were proud of their small, separate cultures. They flocked to opera and the ballet, and liked to reminisce about the time Robert Casadesus gave a concert in Riga, or Boris Chaliapin sang at the National Opera. Now, there are only a handful of theaters left, most of them Russian, and the people are in no mood to attend them. Related a refugee: "On June 13, 1946, I was in Vilna† and saw, with my own eyes, 3,000 men being transported from the central prison camp to the central station. They were to be shipped...
...good tenor but light. I am disgusted. I want to sing." The Chicago Tribune's captious Critic Claudia Cassidy interviewed Basso Nicola Rossi Lemeni by telephone, had him sing a few bars of Lamentation of a Siberian Prisoner, wrote a piece comparing him with Pinza and Chaliapin...