Word: chalke
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Dates: during 1980-1989
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...when we lay the stone for the cathedral the same way it comes from the ground, the grain horizontal. St. John the Divine is really a gray mountain." Gibson is foreman of the machine shop. He supervises the lifting of the big limestone slabs from the trucks. Then with chalk he diagrams each block with the outlines of the dozen or more stones that must be cut from it. "The great trick is not to waste any. They are very expensive and they cost as much to ship as to buy. We have to squeeze out every inch." Gibson spent...
...forces him to argue his views like an executive, and to bear up under executive pressure. "When I saw the first 'decision tree' they drew in my managerial economics class, the only thing I could think of was that it looked like lightning going across the chalk board," says Deborah Widener, 28, now an associate for the Wall Street investment firm of Salomon Bros." I had no idea what was going on for at least a week because we didn't ever step back...
DIED. Enid Bagnold, 91, British playwright and novelist whose elegant, carefully wrought works include the Broadway and London hit The Chalk Garden (1955) and the 1935 novel National Velvet, which nine years later became a film starring Elizabeth Taylor, then twelve years old; in London. Bagnold, who was married for 42 years to Sir Roderick Jones, longtime chairman of the Reuters news agency, demanded three hours every day for writing in their 35-room mansion in Rotting-dean, Sussex...
...them is carried out at an almost microscopic level-a difficult enough feat with "hard" tools like pen or silverpoint, but an impossible one (or so one would suppose) with red crayon. One of the minor technical mysteries surrounding Leonardo's work was how he made his chalk hard enough to hold a needle point when sharpened. The steadiness of his hand was almost inhuman-helped, no doubt, by the diet of fruit and water he was always recommending to others, and by his justified refusal to have anything to do with Florentine doctors. Until well into...
...motion of water was Leonardo's key image of natural energy: braiding, coiling, spiraling, impartially taking form as hair, or leaves, or even wind. This apprehension of energy acted upon his drawings almost irrespective of their mood. It is present, for instance, in the exquisite black chalk study of the "pointing lady" standing by a stream, with her veil-like gathering and wreathing of drapery all' antica: a Leonardesque muse if ever there was one, pointing with a mysterious smile of affirmation toward something we cannot see. But its tragic form is in his visions of universal disaster...