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Word: chamberlaine (lookup in dictionary) (lookup stats)
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...occasional need to get tough. Fisher devotes three chapters of Getting to YES to trying to show that negotiators who pay attention to the interests of their adversaries need not give in. But his justifications, and his ever-present imaginary scenarios, do not persuade. One wonders what "yesable proposition" Chamberlain should have made to Hitler at Munich--or whether, in fact, he did. By avoiding tough cases, Getting to YES begs the question of just when negotiators should refuse to budge. And it ignores scenarios in which trying to satisfy another's "interests"--like Hitler's at Munich--can undermine...

Author: By Paul A. Engelmayer, | Title: An Untenable Proposition | 12/3/1981 | See Source »

...know, but I'll tell you! That man has taken not a step that wasn't to help you, Biff. He slaved for 36 years so that you could be a success. And all you see is a bumbling phony old fool who talks to himself." Sally Chamberlain plays Linda with great energy, loyally protecting her husband, her heart torn over his failures because she sees he cannot accept them. The small Charles Playhouse lends itself nicely to these scenes, adding an uncomfortable intimacy to the family confrontations...

Author: By Sarah L. Mcvity, | Title: A Revitalized 'Death' | 11/13/1981 | See Source »

...tendency, after inventing an effective device, to continue using it until it has beaten the audience insensible. In the first courtroom scene, Polonius, at a signal from the King, begins to thump his stick on the floor. At each impact the courtiers clap in unison; gradually, the chamberlain accelerates his pounding till the room rings with hearty applause. All well and good; but, having established the procedures. Cain has Polonius repeat the gesture six of seven times before the scene closes, and at least four more times by the end of the play...

Author: NO WRITER ATTRIBUTED | Title: Messing With the Bard | 11/10/1981 | See Source »

Like all great extravaganzas, the royal wedding requires a producer (the Lord Chamberlain) and a director (Lieut. Colonel John F.D. Johnston, who recently received a knighthood for his organizational skills). It also, of course, has a supporting cast of thousands. Along with the home-grown aristocrats, there are all the invited guests: political (Nancy Reagan); monarchical (Queen Beatrix of The Netherlands, the King and Queen of Sweden, the Duke and Duchess of Liechtenstein); social (Sabrina Guinness, Sir Hugh Casson); and sentimental (Flo Moore, who kept Charles' Cambridge rooms in order; Henry and Cora Sands, who provided Charles with some...

Author: /time Magazine | Title: Magic in the Daylight | 8/3/1981 | See Source »

...from the top. As Pope, John Paul II runs both Vatican and church with imperial power. But the autonomous city-state from which he governs is one of the oldest and most organized bureaucracies. If the Pope dies, administrative power goes automatically to the Vatican's Camerlengo, or Chamberlain, until a new Pope is elected. But when a Pope is sick or traveling, command goes to the Secretary of State, in this case Agostino Cardinal Casaroli, 66, the church's top diplomatic negotiator and the Pope's hand-picked and devoted No. 2 man. When John Paul...

Author: /time Magazine | Title: Carrying On | 5/25/1981 | See Source »

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