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...strange, other-worldly world of antimatter is taking shape in the minds of men. Last week Dr. Emilio Segrè of the University of California showed the first bubble-chamber picture of an anti-neutron-or rather, a place where an antineutron could be proved to have been...

Author: /time Magazine | Title: Science: Anti-Physics | 4/21/1958 | See Source »

...immutable law that he was able to make his prowess pay off in other fields. He organized a U.S. cryptographic bureau during World War I, won a Distinguished Service Medal for breaking the Japanese diplomatic code, and told about it after the war in the bestselling The American Black Chamber.* Between wars he served in China as a cryptanalyst for Chiang Kaishek. But whatever he did, wherever he went, his greatest pleasure always came from poker...

Author: /time Magazine | Title: Sport: One of a Kind | 4/14/1958 | See Source »

...with a grindingly dissonant score by Egyptian Composer Halim El-Dabh, was a more impressive work and far more complex. Both its power and its tortuous complexities derived from Choreographer Graham's technique of unfolding the story as a memory of past events sounding shrilly in the echo chamber of Clytemnestra's mind. In four acts, Graham introduced Clytemnestra in Hades, shifted back in time to Clytemnestra's vision of the fate that had led to her murder by her son Orestes, then shifted again to Hades and to the redemption of the mind that had spun...

Author: /time Magazine | Title: Music: Martha's Return | 4/14/1958 | See Source »

...there never was anything for you to fight for"; resists until one day, in flight before the American advance, he begs for food at a concentration camp, and sees at last that, in effect if not in intention, he is no better than the brute who runs the gas chamber. Both destroy human life for no reason except that they are told to; both are brothers under the swastika...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 14, 1958 | 4/14/1958 | See Source »

...idea from his old pal and fellow student (at the Juilliard School of Music), Fred Begun, 29, currently the regular tympanist for the National Symphony. "I suggested five drums jestingly," says Begun (four drums is the usual orchestral maximum). Composer Parris. who has turned out a sizable quantity of chamber music, took the jest in earnest, sat down to write a piece which would test the "untapped melodic resources" of the drums. The technical problems, he discovered, were sizable. Examples: how to pass rapidly from one drum, fortissimo, to another, without the resonance of the first canceling out the pitch...

Author: /time Magazine | Title: Music: Concerto for Skins | 4/7/1958 | See Source »

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