Word: chambers
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...however, things looked considerably different. Instead of engaging in philosophical discourse while sipping mocha in between classes, I stood in line at Annenberg for chicken marsala and stumbled through awkward introductions with my new classmates (Rena Xu; Holworthy; Pittsburgh; Biochemistry). Instead of reaching enlightenment in a stately wood-paneled chamber, I found my way to Cabot Library (“They never showed THIS in the brochures!” my freshman roommate exclaimed indignantly). And far from knowing instinctively where my niche at this large school lay, I treaded uncertainly in a pool of opportunity, clutching colorful flyers from...
Sunday, Feb. 27. Pro Arte Chamber Orchestra presents Masterpieces in Miniature. Program includes Debussy, Shoenberg, Wagner, and Copland. 3 p.m. Sanders Theater. Tickets $9-45. Student rush $9 day of show. Tickets available through Harvard Box Office...
...nice arrangement of jangly guitars and keyboard. But even when the guitars start to really rumble towards the end, the song fails to capture the Wedding Present sound. It’s too polished—understandably, of course, because by this time around the Wedding Present are a chamber-pop band without the roughness around the musical edges that puts so much charm on a record like their ’87 debut George Best...
...Faun,” Harbison’s “The Most Often Used Chords,” and Stravinsky’s “Pulcinella.” Since the 1954-55 school year, the Bach Society has been Harvard’s premiere chamber orchestra, specializing in chamber music and mid-sized symphonies, and popular for their annual campus Concerto and Composition Contests. Slatkin will be under the scrutiny of the public as he rehearses with the Society, in an open rehearsal that will give visitors a unique chance to see the interaction between a practicing...
This confidence shone throughout Buswell’s chamber music recital at NEC’s Jordan Hall last Sunday night, which I and many other of his students attended. His ambitious and eclectic program, which included Stravinsky’s tongue-in-cheek Duo Concertante for Violin and Piano, Mendelssohn’s angst-ridden Piano Trio in C-Minor, Enesco’s Sonata No. 2, and Beethoven’s fiery Sonata No. 7, never showed a hint of musical timidity. Buswell first chose the Enesco, a lesser-known piece, and later added the other three works...