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...cultural demimonde. Since Branagh's performance (rather daringly) imitates Allen's anxiously stammering screen persona, and Davis is doing something she has done--expertly--for the writer-director before, playing a jilted, tilted woman, it may sound as if this is yet another of Allen's comically discordant chamber pieces about the impossibility of permanent connection between postmodern urbanites who think too much about themselves and feel too little for each other...

Author: /time Magazine | Title: Cinema: The Wages Of Fame | 11/16/1998 | See Source »

...absurdity his "fable" about a man named Guido making a sort of hide-and-seek game out of camp life, diverting his four-year-old son (Giorgio Cantarini) from its harshness and encouraging him to lie low. The idea, of course, is to save the boy from the gas chamber, where the young, the old and the sickly--all those who can't work--are automatically sent...

Author: /time Magazine | Title: Cinema: Fascist Fable | 11/9/1998 | See Source »

Local authorities defend the deal with a rosy economic forecast prepared for Greater Louisville Inc., the metropolitan area Chamber of Commerce. The chamber study predicts that 6,000 UPS jobs "will spawn nearly 8,000 additional jobs" throughout the region. It is estimated that all those jobs in turn "will generate more than $477 million annually in payroll growth." As is the case with many economic-impact statements, the numbers are fuzzy. But whatever the case, growth would have occurred somewhere in the U.S., perhaps even in Louisville, where UPS is already heavily invested. To remain competitive...

Author: /time Magazine | Title: Corporate Welfare: States At War | 11/9/1998 | See Source »

...First Night's curriculum, but Claudio Monteverdi's L'Incoronzione di Poppea may still be one hell of a cultural experience. Forego a night at the Grille and hustle over to the Agassiz for the Harvard-Radcliffe Early Music Society and the Harvard Baroque Chamber Orchestra's presention of Monteverdi's final opera 8 p.m., Agassiz Theater, Radcliffe Yard. Tickets...

Author: NO WRITER ATTRIBUTED | Title: LISTINGS | 11/5/1998 | See Source »

Huggett took center stage for the next work, the Sonata in D Major for Violin and Basso Continuo by Jean-Marie Leclair, which she performed with Cunningham and Moll. Huggett and Cunningham have performed together as part of a chamber group, the Trio Sonnerie, and it showed in the lively interplay between the two musicians. Huggett's clear, sharp playing was a marvel, and both Cunningham and Moll, who provided a solid background to Huggett's soaring violin, ably supported...

Author: By Carmen J. Iglesias, CONTRIBUTING WRITER | Title: Friends, Flutes and Fun | 10/30/1998 | See Source »

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