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...Saturday, April 9, Rachlevsky led the New American Chamber Orchestra as it played its final concert. Rachlevsky had established his beloved chamber group as a part-time orchestra in 1978 after stints with the Moscow and Israel chamber orchestras. For Misha Rachlevsky the violinist (even while he was a violinist for the Detroit Symphony), creating his own chamber orchestra was a chance to become Misha Rachlevsky the impresario...

Author: /time Magazine | Title: In Michigan: The Music Fades | 5/2/1988 | See Source »

...orchestra became Rachlevsky's consuming passion. He gave up his job at the Detroit Symphony in 1984 to create a full-time chamber-music society. And he spent 20-hour days dunning corporate chiefs for money, cooking borsch for winter concertgoers, and arranging for a towing service to be on call for orchestra patrons whose cars failed to start on concert evenings...

Author: /time Magazine | Title: In Michigan: The Music Fades | 5/2/1988 | See Source »

...Misha would work right alongside us," recalls Carole Fuller, a procurement clerk-typist for the Army who late in life discovered a passion for chamber music and became a volunteer for the orchestra. "We'd work until 2 or 3 or 4 in the morning sending out tickets. Sometimes Misha got so tired he'd fall asleep with his head on a desk...

Author: /time Magazine | Title: In Michigan: The Music Fades | 5/2/1988 | See Source »

...remarkable journey from being a Newark secretary to one of the capital's pre-eminent political poets, she has acquired a dashing husband with an eye patch, Richard Rahn, an economist with the U.S. Chamber of Commerce, and a ten-month-old son with eyes as blue as the evening sky. And something else -- a facsimile machine that rests on her kitchen cabinet just above little Will's playpen. He is fascinated with its rustling paper, the paper of poetry. Noonan pecks the words out in the next room and feeds them into this electronic umbilical, and they emerge...

Author: /time Magazine | Title: The Presidency: Of Poets and Word Processors | 5/2/1988 | See Source »

...Sterling ad focuses more on an elegant, quasi-rural image of chic. The ad depicts the beige upholstery and warm wood trim of the car's interior--described in loving detail as "a secluded chamber of Connolly leather and burled walnut." A well-worn satchel and a map lie carefully placed on the seat awaiting, presumably, use in some grand adventure. The ad portrays an atmosphere of modern royalty--variously referring to the car as a "kingdom" which costs "only a youngish prince's ransom...

Author: By Aline Brosh, | Title: The High Price of Culture | 4/16/1988 | See Source »

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