Word: chambers
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CONCERT: MIT Chamber Players. Program includes Bach, Mozart and Tchaikovsky. Maclaurin Building, Room 10-250, 8:00 p.m. Free...
...scene in this production succeeds quite well, and also points up the disaster in the rest. When the Capulets discover Juliet apparently dead in her chamber, they explode in a satirical outpouring off grief that Shakespeare wrote to mock the traditional, over-formal conventions of Elizabethan tragedy. Mother and Father Capulet vie in the extravagance of their laments; lines like "life and these lips have long been separated" signal to the audience that this is farce, not tragedy. The cast at the Hasty Pudding conveys the full comedy of this scene. Unfortunately, the comic atmosphere lingers like an unwanted guest...
...more analytical way than the conventional press. Their editors see themselves as subjective, irreverent and at odds with the local power structure. The Bay Guardian, for instance, rails regularly at Pacific Gas and Electric, the two San Francisco dailies, the " Mannattanization" of the city's architecture, the Chamber of Commerce and anything else it considers high or mighty. The alternatives also like to feature unknown writers and publish long, idiosyncratic articles. The Chicago Reader once printed a 19,000-word piece on beekeeping...
...revenues at the Minneapolis-St. Paul Reader (no relation) were up 410% in 1977 and 298% last year. Seattle's Weekly (circ. 15,000) won a contract to print the program for the visiting King Tut exhibit, and the Ithaca (N. Y.) Times and the local Chamber of Commerce collaborate to publish a calendar every summer. There is even an alternative chain: the Times/Advocate Newspapers, with papers serving western Massachusetts (circ. 85,000), New Haven and Hartford, Conn, (each 75,000), and Syracuse (40,000). Launched in 1973 with a $3,000 investment, the group last year grossed...
...films; of a blood clot; in Rome. A native of Milan, Rota composed his first opera at 14 and in 1931 went to the U.S. to study at Philadelphia's Curtis Institute. Returning to Italy two years later, he continued writing operas (The Italian Straw Hat), symphonies and chamber works during his next 45 years, but achieved his greatest success scoring such films as Fellini's La Strada (1954), La Dolce Vita (1960), 8½(1963) and Amarcord(1915), as well as Francis Ford Coppola's two Godfather films. Prolific and inventive, Rota often wrote his scores...