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Musicians who go for broke by trying to survive in the field of chamber music alone often do just that-go broke. The chamber repertory includes a large share of the world's masterpieces, but it attracts a minor share of music's paying audiences. Most players choose to do their chamber work as an afterhours hobby, meanwhile keeping their budgets in tune by teaching, solo dates, orchestral jobs or television-and movie-studio work...

Author: /time Magazine | Title: Chamber Music: Living & Making a Living | 4/12/1968 | See Source »

...speech, Attorney Boris Zolotukhin was expelled from the party, apparently for defending one of four young writers sentenced last January to prison terms ranging from one to seven years (TIME, Jan. 19). Along with Zolotukhin, the party also expelled five intellectuals who signed a formal protest against the star-chamber aspects of the trial. Far from dealing too sternly with the writers, the pro-government Literaturnaya Gazeta said last week, the courts dealt too lightly with them. Its solution: deport the dissident writers. "Instead of feeding such people at public expense in our prisons or corrective labor camps," wrote Editor...

Author: /time Magazine | Title: Russia: Word of Warning | 4/5/1968 | See Source »

Last week 50 Negroes, led by Playwright LeRoi Jones, trooped into the Newark city council chamber to confront Imperiale's vigilantes attending a routine council session. When a phonograph played the national anthem, the Negroes refused to stand and the whites cried: "Throw the bastards out!" Jones, arguing against the proposed use of police dogs in the ghetto, told the council: "Our rational plea to this community is to avoid the emotional issue of dogs. Whether you own Newark or not, nobody can sell ashes...

Author: /time Magazine | Title: Newark: Progress--& Poison | 3/29/1968 | See Source »

...show, when a guest expert on bonsai objected to Thalassa's shears, she snipped right back: "Aren't you being a bit fussy?" Then, casting a rueful glance at the guest's shears, she added: "That thing looks like something out of a medieval torture chamber." Another time, while administering to a Star of Bethlehem, she suddenly cried: "Oh, good Lord! Signs of slugs!" Rummaging through the soil like a Roto-Rooter, she exclaimed, "Aha! There's the little brute!" and flipped it onto a table. As the camera zoomed in for a closeup, she advised...

Author: /time Magazine | Title: Programming: The Private Spring Of Thalassa Cruso | 3/29/1968 | See Source »

...opera Medee, he had just finished incidental music for the Paul Claudel play, L'Histoire de Tobie et de Sara, and was starting a new orchestral composition. Meantime, he was looking ahead to a batch of forthcoming performances of his works -including Musique pour Lisbonne, a chamber piece that he has composed especially for this spring's Gulbenkian Festival in that city. As for the New Orleans piece, Milhaud was plainly puzzled; Torkanowsky, he said, had told him only that the performance of it had been "delayed." When the composer heard about Torkanowsky's public statement...

Author: /time Magazine | Title: New Works: Winning Commissions & Losing | 3/22/1968 | See Source »

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