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...John Chafee warned fellow Republican moderates to "get hustling" for Romney. "Now," said Chafee, "is the time to speak up." If any new Romney fans did, their words were lost in the cha-cha beat. Lenore Romney pronounced Chafee "brilliant." The resolutions committee, meanwhile, was deliberating in a chamber aptly named the "children's playroom." The more controversial resolutions were either watered down or defeated...

Author: /time Magazine | Title: Politics: In Unpath'd Waters | 10/27/1967 | See Source »

...Atlanta Symphony has the makings of a first-rate organization. Helped by a $765,000 budget (twice that of 1965), Shaw has already bolstered the ranks with additional musicians, instilled greater rigor and purpose into rehearsals, formed a new 60-voice chorus, and expanded the season to include chamber music, an offbeat "Connoisseur Series" and some light promenade concerts. His programs for the coming year balance Atlanta's traditionally romantic fare with more music from the baroque and classic periods as well as 20th century works ranging from Bartok to Gunther Schuller. "He's brought a lot more...

Author: /time Magazine | Title: Conductors: Downbeat for a New Era | 10/27/1967 | See Source »

...play begins with the flip of a coin-an act that finds its echo later when the Player King says, "Life is a gamble, at terrible odds-if it was a bet, you wouldn't take it." Just as the play is a kind of jangled echo chamber of Hamlet, so each word, event, mood and character develops an echo. Rosencrantz and Guildenstern are echoes of each other, since they perpetually confuse each other's names. They have been summoned to Elsinore by Claudius, or by fate, and they seem to be dawdling apprehensively...

Author: /time Magazine | Title: On Broadway: Skull Beneath the Skin | 10/27/1967 | See Source »

...Vienna Philharmonic sound is that of an idealized chamber ensemble, a creamy, homogeneous, pliant blend of wind, brass and string tone that hovers in the air. Trumpeter Helmut Wobisch, the orchestra's manager, ascribes the sound in part to the peculiar nature of Vienna's brass instruments, wider in bore than those used in Ameri can, French and British ensembles, and handmade of exceptionally thin metal, producing a blendable tone without the usual cutting edge...

Author: /time Magazine | Title: Orchestras: How It Should Be Played | 10/13/1967 | See Source »

...knock, when it comes, transforms the room into a kind of torture chamber, in which the welts are raised by laughs. The put-on is a game in which the victim does not know either the rules or the stakes. The victim appears more helpless and the game more sinister in that two or three men usually tease, bully and mystify him. The Caretaker, for example, is an extended put-on: the old tramp Davies is led to believe by the two brothers, Mick...

Author: /time Magazine | Title: New Plays: The Word as Weapon | 10/13/1967 | See Source »

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