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...scene might have been a Southern county courthouse in the bad old days, with a white registrar administering a literacy test designed to confound even the best-educated Negro. Actually, the setting was a U.S. Senate chamber, and the Negro was Solicitor General Thurgood Marshall, who seeks to vote not in a Southern election but as an As sociate Justice of the Supreme Court...

Author: /time Magazine | Title: The Judiciary: Kite Flying & Other Games | 7/28/1967 | See Source »

...series with a completely traditional program of Chopin, Schubert and Beethoven; a week later Jamie and Ruth Laredo deferred to general taste with Bach and Beethoven, but managed to sneak in the somewhat post-Romanticist Sonata Concertante of contemporary Leon Kirchner; last night violinist Felix Galimir and his chamber ensemble (one almost expected the program to read "Felix Galimir and guests") went even further: avoiding the 19th century entirely, the group plunged right in with two works of extremely modern idiom, both composed within the last two decades...

Author: By Robert G. Kopelson, | Title: Felix Galimir and Chamber Ensemble | 7/25/1967 | See Source »

...world of string chamber music, it takes works of great individuality to prevent the subtleties and arcanities of the medium from melting into homogeneity. The String Trio Op. 45 of Arnold Schoenberg is much like the Sessions in outward appearance: three sections of alternating mood written in a deceptively similar atonal style...

Author: By Robert G. Kopelson, | Title: Felix Galimir and Chamber Ensemble | 7/25/1967 | See Source »

...Harvard Summer School presents Felix Galimir and Chamber Ensemble July 24 at 8:30 p.m. in Sanders Theatre, in the third Monday Night Concert Series...

Author: NO WRITER ATTRIBUTED | Title: Concert | 7/21/1967 | See Source »

...Laredos' Bach was in the best Rosalyn Tureck tradition. Eschewing the harpsichord for the piano, Mrs. Laredo played lid up and with plenty of pedal. As a pianist myself I have nothing against treating the instrument as a full partner in chamber music rather than a subservient accompanist--in fact I welcome it. But the Laredos' Bach did have severe balance problems. Mr. Laredo very quickly demonstrated a full, rich tone and an easy command of dynamics on the violin. But he was more and more obliged to "force" in an attempt to hold his own against the superior string...

Author: By Robert G. Kopelson, | Title: The Laredos: Violin and Piano | 7/18/1967 | See Source »

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