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...plug of solid propellant attached to the rear of a slug or missile. When the trigger of a V-L rifle is pulled, a powerful spring drives a cocked plunger into a cylinder, compressing and heating the trapped air to about 2,000° F. Escaping into the firing chamber through a valve, a jet of heated air strikes and ignites the propellant, which pushes the missile through the barrel (see diagram). Because the heated air helps the propellant to oxidize completely, there are no unburned traces left to foul the barrel. V-L test rifles have been fired...

Author: /time Magazine | Title: Weapons: Forerunner Rifle | 6/30/1967 | See Source »

...reporters who watched while Luis Jose Monge [June 9] choked to death in the Colorado gas chamber, I take issue with your statement that "five seconds after a pound of cyanide eggs had been dropped into the vat of acid beneath his chair, he was unconscious...

Author: /time Magazine | Title: Letters: Jun. 23, 1967 | 6/23/1967 | See Source »

...when he was among those who pressed successfully for condemnation of the late Joseph McCarthy. In words reminiscent of his opening statement on that occasion, Stennis said last week: "If we pass up this matter, then some time, somewhere, in some way, something big will slip out of this chamber, and a lesser standard will have gotten to be accepted...

Author: /time Magazine | Title: The Senate: Dodd's Defense | 6/23/1967 | See Source »

...minutes later, Levi Castillo burst into the Assembly chamber and, as the clerk droned on through the list, laid two sticks of dynamite on his own desk. Then he took out a revolver, which he fired once into the floor to gain attention. Slowly he raised the revolver to hip level, aiming at the dynamite. "Ever since I was a boy," Levi Castillo remembers, "I've had this dream of causing a large crowd to leave a large chamber in a hurry." At last his dream was realized. The Deputies poured out the chamber's four doors like...

Author: /time Magazine | Title: Ecuador: The Dynamite Man | 6/16/1967 | See Source »

This demonstrates on a grand scale a problem with all musical activity here -- opera, symphony and chamber music alike. In the rush to make his mark on the music scene, the Harvard musician tends to aim high, choosing to perform works guaranteed to get him one up on his fellow musicians and impress the dickens out of the general community. Very often there is more interest in the idea of the thing rather than in obtaining the best musical result. All too often one gets the impression the projects' progenitors had one of those "hey-wouldn't-it-be-fantastic...

Author: By Robert G. Kopelson, | Title: Music at Harvard: Neither Craft nor Art; It Combines Display, Arrogance, Delight | 6/15/1967 | See Source »

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