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...STRING QUARTETS NOS. 1 AND 2 (Crossroads). Chamber music, particularly that of the 20th century, is often an acquired taste. But Leo Janáĉek wrote hummable, folk-flavored and dramatic pieces for strings. His first quartet was inspired by Tolstoy's chilling story The Kreutzer Sonata and is played with special eloquence and style by the Janáĉek String Quartet...

Author: /time Magazine | Title: Television: Oct. 7, 1966 | 10/7/1966 | See Source »

...GROSSI, OPUS 7 (World Series). For the baroque buff who wants to be a bit more recherche than, say, a Telemann fan, Geminiani might offer just the right gambit. Elegant and more expressive than many of his contemporaries, he is given a good hearing by that satin-stringed Italian chamber group called simply I Musici...

Author: /time Magazine | Title: Television: Oct. 7, 1966 | 10/7/1966 | See Source »

...unrest felt everywhere in the nation's leading orchestras. Two years ago, when the Philadelphia forbade its players to moonlight with any group larger than a sextet, Concertmaster Anshel Brusi-low angrily resigned, took one of the orchestra's musicians with him, and formed the 35-member Chamber Sym phony of Philadelphia...

Author: /time Magazine | Title: Orchestras: Flying the Coop | 10/7/1966 | See Source »

...compensate, the progressive Bos ton management founded the Boston Symphony Chamber Players last year (TIME, March 18), encourages all of its players to take on as many solo engagements as they feel they can possibly handle. Says Leinsdorf: "This is very important for the morale of the players who want to keep, and have every right to keep, their artis tic identity...

Author: /time Magazine | Title: Orchestras: Flying the Coop | 10/7/1966 | See Source »

Breath Catching. Stage center on campus does not mean an occasional chamber-music get-together in the faculty lounge, but frequent, fully promoted performances before large audiences in gleaming new theaters. In return, the schools gain status and expert faculty material. "Universities now realize that experience under fire is more important than an academic degree," says Pittsburgh Symphony Flutist Bernard Goldberg, who teaches part time at Duquesne University. "Musicians who have been required to perform consistently under high standards can impart information not ordinarily found in textbooks...

Author: /time Magazine | Title: Orchestras: Flying the Coop | 10/7/1966 | See Source »

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