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Word: chameleonic (lookup in dictionary) (lookup stats)
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...model of silky noncooperation, Lily answers with a question of her own: "What does a chameleon see when it looks into a mirror...

Author: /time Magazine | Title: Lily... Ernestine...Tess...Lupe...Edith Ann.. | 3/28/1977 | See Source »

Lily is Lily Tomlin-of course. The reporter is Lily Tomlin-of course. And the chameleon is Lily Tomlin too. Indeed, if someone were to ask the real Lily Tomlin to stand up this week when she opens her one-woman show on Broadway, there would be either dead silence-or a forest of waving hands...

Author: /time Magazine | Title: Lily... Ernestine...Tess...Lupe...Edith Ann.. | 3/28/1977 | See Source »

...play's ritual aura is established as the actors enter, rhythmically pounding their bodies and abruptly striking poses that evoke the personae to come. There are no fixed roles in this work; the cast is an anonymous, drably clad, chameleon-like group. They are reincarnated in successive scenes, serving as specific characters, archetypal men and women, corpses, beasts, chorus or bystanders. Rudimentary identities and emotions are conveyed through pantomime and the ebb and flow of varicolored light...

Author: By Anemona Hartocollis, | Title: Seeing is not Believing | 10/23/1976 | See Source »

...Andrew, do you realize that you're a gutless chameleon?" asked Teacher Jim Searles of the shy, withdrawn teen-ager who had come for an interview at the Hyde School in Bath, Me. Andrew was close to tears, but Searles was only following the sock-it-to-'em pedagogic philosophy of his boss, Hyde Founder Joseph Gauld, 50. Faced with a rebellious applicant, Gauld once shouted, "Listen, I'm telling you either change your attitude around me or I will jam it down your throat...

Author: /time Magazine | Title: Education: School of Hard Knocks | 8/9/1976 | See Source »

What color is a chameleon? Every man's Brecht turns out to be his own. The production of Threepenny Opera at Manhattan's Vivian Beaumont Theater, shaped with satanic brilliance by Director Richard Foreman, is abrasive, stylized and sinister. Brecht's message -sprayed on the stage like graffiti on a subway train-is that the underworld of rapacious thieves, fawning beggars and mercenary prostitutes is an exact mirror image of property-minded, shark-toothed bourgeois society...

Author: /time Magazine | Title: The Theater: Sonata for Sharks | 5/17/1976 | See Source »

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