Word: chan
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...when Richard (Brian C. Polk ’09) is in trouble and speaks about his worries, he fails to recognize his own part in his mishaps, lending these lines a sense of irony. Dressed in modern clothes, Richard and his court (including his wife, played by Julia C. Chan ’05, and various hangers-on played by Emily A. Cregg ’09, Susan C. Merenda ’07, and Zachary B.S. Sniderman ’09) were portrayed as spoiled rich kids, accustomed to experiencing life as one long party and unwilling...
...times modern, political and energetic, the range of moods evoked by the Harvard-Radcliffe Dance Company’s (HRDC) whimsically named recital, “The Spring Collection of Dancical Werks,” was truly awe-inspiring. Co-directed by Mai-King C. Chan ’06 and Sonia K. Todorova ’07, “Werks” ran this past weekend at the recently completed Harvard Dance Center (HDC), and its performances were as sleek and modern as the new venue. The opening dance, “Not Fire, Not Ice?...
...Boston College, singing songs in Mandarin and Cantonese. “The Hong Kong associations at all the different colleges are kind of small, so it’s easier for us to contact them,” said the society’s co-president, K. Edward Chan ’06, who said that this year had the largest participation in the event’s history. “Karaoke is a big phenomenon in Hong Kong and China.” The winner, Vincent See, a senior at Brown, sang his way to success with...
...HRDC, they expect the showing to be one full of energy, enthusiasm and creativity, in much the same way that they characterize the company itself. “We choose a lot of members based on enthusiasm instead of just technique,” Co-Director Mai-King C. Chan ’06 says. “Everybody who performs is really enthusiastic about the show.” HRDC, the longest-running student dance company on campus, channels this enthusiasm for modern dance with weekly classes and two concerts each year. Traditionally, HRDC’s two annual...
Burkle’s direction brings his trademark quirky yet sophisticated creativity to the show. His decision to have Chan play Dr. Knock is inventive, providing another way for this role, as a symbol of modernism and industrialization, to break with tradition. The intermission—what can only be termed a period of “decontamination”—is a masterstroke that wins the audience’s attention and amusement...