Word: chanelling
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Dates: during 1970-1979
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...informant and accused him of spilling the plans to the Government; he denied it, and is now in protective custody. TIME learned that two whose testimony has been important to the Government?though neither is the chief informant?are a brother and a sister named Joseph Joynt and Patricia Chanel. Mrs. Chanel, described by one movement activist as "an aficionado of the Jesuits," was questioned by FBI agents at her Silver Spring, Md., home and was promised immunity from prosecution in exchange for her testimony. Whatever she told them may not be wholly credible. She reportedly had a nervous breakdown...
...Brindle Scottish Terrier named Grounds became her most constant companions. By 1967 she had stopped carrying the cameras and began appearing in front of them. She had in fact become a sensational model?and promptly attracted the attention of a movie agent who had seen her TV commercials for Chanel No. 5 Bath Oil. Ali turned him off?fast. She had met a slew of movie people on location: "I categorically decided I didn't want to be involved in the racket...
...trust Lerner." (Presumably, Coco Chanel also trusts Lerner.) The title role, naturally, is far more ticklish. The novel described Lolita as a "mixture of tender dreamy childishness and a kind of eerie vulgarity." And, as Humbert said, "you have to be an artist and a madman with a bubble of hot poison in your loins and a super-voluptuous flame permanently aglow in order to discern by certain ineffable signs the little deadly demon among the wholesome children...
...late 1950s, led the way with fashions featuring plunging necklines, fitted waists and belled skirts. By then, Ricci was also known for sensuous perfumes, but the unpretentious Mme. Ricci all the while maintained a low profile that made her the antithesis of her headline-making contemporary, Coco Chanel...
...Chanel modified the shape of her suits with a bolero or cutoff blazer jacket, cropped and V-necked. Nina Ricci's Gerard Pipart kept his daytime clothes straight and simple, took a giant steppe to Russia with evening wear that featured fur Cossack hats, officers' coats, boyar pants (Russian-style knickers) and gypsy dresses. Louis Feraud concentrated less on shape than on fabrics. Guy Laroche seconded Pipart's Russian notions, and then some: to a background of music, slides, and Tartar dancing, his models turned out in tunics and knickers, babushkas and cummerbunds, capes rimmed with...