Word: chaney
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...Silent films. Once a larger part of TCM programming, mute cinema is now mostly confined to a Sunday-midnight niche - a glorious grotto, whose saints are Lon Chaney, Lillian Gish, John Gilbert, Marion Davies and other stars of MGM silents. The slot also is home to early masterworks from France (Jacques Feyder's Queen of Atlantis), Germany (F.W. Murnau's The Last Laugh) and Sweden (Victor Sjostrom's Phantom Carriage). The country doesn't matter; all these films speak an eloquent visual language...
...essence of acting. He made himself nearly unrecognizable - put on maybe 40 lb., studded his face and body with the scars of war - to play a has-been fighter hoping for a last shot at the big time. It's the kind of punishment that won kudos for Lon Chaney and Paul Muni in the old days and helped Robert De Niro to an Oscar in Raging Bull playing Jake LaMotta. (He got himself into fighting shape, then he gained a ton of weight! Acting!) One more because: Rourke does strong, sensitive work here, which will cheer his old-time...
...essence of acting. He made himself nearly unrecognizable - put on maybe 50 pounds, studded his face and body with the scars of war - to play a has-been fighter hoping for a last shot at the big time. It's the kind of punishment that won kudos for Lon Chaney and Paul Muni in the old days, and helped Robert De Niro to an Oscar in Raging Bull playing Jake LaMotta. (He got himself into fighting shape, then he gained a ton of weight! Acting!) Beyond the stunt aspect, Rourke does strong, sensitive work. All praise...
...stand in front of a green screen and mime fear. They are old-fashioned craftsmen, using spirit gum and other medieval (and modern) applications to devise prostheses so horrid, so hand-made, they'd scare anyone on the set. In a tradition stretching back to silent-film star Lon Chaney, the SPFX makeup men, in essence, build scary masks. They make horror visible by sculpting...
...could be scrawled in a motel register by a teen seeking furtive sex: Jack Pierce and Dick Smith. Pierce, during his time at Universal Pictures in the 30s and 40s, created the studio's entire monster menagerie: Boris Karloff's Frankenstein and the Mummy, Bela Lugosi's Dracula, Lon Chaney Jr.'s Wolf Man, Claude Rains' Phantom of the Opera...