Word: chaney
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Though eight members of the Ku Klux Klan served prison sentences on federal charges of conspiring to deny the civil rights of Andrew Goodman, James Chaney and Michael Schwerner, no state charges were ever filed against the killers of the three civil rights workers, who were slain near Philadelphia, Miss., during the Freedom Summer of 1964. That may now change. Two weeks ago, Mississippi Attorney General Mike Moore announced that he is considering reopening the case...
...dancing opens with a traditional tap challenge, each man showing his best stuff in turn. Savion Glover, 15, who enacted The Tap Dance Kid on Broadway in 1983, is predictably upstaged by such snowy-haired hoofers as Bunny Briggs, Lon Chaney and Ralph Brown. Glover reappears in a breakneck gymnastic number, hopping up and down stairs, while his elders return in slow, sentimental sequences to demonstrate the traditional tap presumption that less can be more. That is in contrast to the basic notion of Black and Blue, which seems to be that more is more. Yet in the understated moments...
Temple's head basketball coach, John Chaney, called the NCAA a "racist organization." Dale Brown, head basketball coach at Louisiana State, said, "What they're saying is, 'We have a colored fountain here, a white fountain there. We'll allow you to drink out of the white fountain if you pass this test...
Thus the film has drawn accusations that it falsifies an era. "The film treats some of the most heroic people in black history as mere props in a morality play," says Vernon Jarrett, the only black on the Chicago Sun-Times editorial board. James Chaney's younger brother Ben, who was eleven in 1964 and is portrayed in the movie, finds the Mississippi mirror distorting: "The movie makes the FBI too good to be true. It is a dangerous movie because it could lead to complacency. Things haven't changed that much." Says David Halberstam, who covered the 1964 Freedom...
...much of this is within spitting distance of what really occurred. Even the little details in the film -- such as placing James Chaney, a black thoroughly familiar with the terrifying back roads of Neshoba County, in the backseat of the station wagon he was actually driving -- relegate blacks to the background of the drama of which they were the real-life heroes. One gets no sense of their courageous struggle against violent white supremacy and second-class citizenship...