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...establishes a special rapport when you can tell them that you grew up in their home area," Heather C. Chang '99 says...
According to Chang, who hopped on a plane last month to recruit in the San Francisco Bay area, the schedule can be exhausting...
...Chang followed a strictly regimented itinerary that she drew up with help from the admissions office. Over her five days, Chang visited 20 schools, spending an average of an hour to an hour and a half at each...
...original one-woman format, and also because the material comes from one-on-one interviews, the performance is devoid of dialogue or character interaction. Generally, such a format would risk looking like an acting exercise, but in Twilight it implicitly explains one of the reasons behind the riots. Chang notes that "each character lives in a box, limited by experience and what they know." The lack of interaction speaks to the lack of dialogue in the city, the silence of segregation. The riots were the result of an inability to communicate in any other way than violence and media sensationalism...
...produced in the round, and over each of the four sets of bleachers is suspended a drop representing one of the four ethnicities that clashed in the riots. The audience is divided by these pendants into neighborhoods; Black, Korean, Latino, White, "drawing the audience into the conflict," according to Chang. Though each drop is well conceived in its own right, the aesthetics clash fiercely against one another. One in pastels looks like Monet in Watts; another (depicting the poor black neighborhoods) could be mistaken for an Ade Bethune woodprint. The effect is intentionally distasteful. Like the dialogue, each neighborhood...