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Taoka, who is currently on trial for income tax evasion, extortion and labor-law violation, last week granted a rare interview to TIME Correspondent S. Chang at his sumptuous Western-style house on the fringes of Kobe, which neighbors have dubbed the "Taoka Palace." "Throughout the interview," Chang cabled, "there was a distinct element of opéra bouffe. The house compound is patrolled by a handful of crop-haired, heavy-set henchmen, who in greeting bow gawkily, like giant pandas trying to crouch. Inside, Taoka's great drawing room is deeply carpeted and adorned with many trophies presented...

Author: /time Magazine | Title: JAPAN: The Mob Muscles In | 2/26/1973 | See Source »

KIRKLAND JCR: Lyan Chang '75, and Marta Dabezies `72 perform works by Bach, Beethoven, Ravel and Kirchner for violin and piano...

Author: NO WRITER ATTRIBUTED | Title: music | 11/16/1972 | See Source »

SYDNEY FREEDBERG '76 and NANCY CHANG '76, live in Currier House...

Author: By Nancy Chang and Sydney P. Freedberg, S | Title: Freshwomen Look at Harvard; Say Students Here are 'Pushy' | 10/25/1972 | See Source »

...second International Predictors' Conference, like last year's first such get-together in Tokyo, also gave Asia's various astrologers, palmists, bamboo-stick readers and other diviners a chance to understand one another at last. "Fortunetellers are like physicians," Asano explained to TIME Correspondent S. Chang. "You might specialize in one branch, but you don't qualify as a professional unless you have a working knowledge of them all." Fortunetelling in fact is one of the more respected professions in Asia. Practitioners make up to $1,000 a month in Japan, and $500 in South Korea...

Author: /time Magazine | Title: ASIA: Haruspeculation | 9/25/1972 | See Source »

Conducting from the harpsichord, Nils Vigeland led a well-balanced ensemble hampered only by the harpsichord's small size. Of the four upper-voice players, violinist Lynn Chang and flutist John Thow showed fine technique with sensitive dynamics and phrasing. Thow's playing had the kind of edge necessary for a flute set against such dense counterpoint provided by the more powerful instruments...

Author: By Kenneth Hoffman, | Title: A Farewell Concert | 5/16/1972 | See Source »

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