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That attraction didn't take hold in The Times They are A-Changin'. Dylan's songs hadn't broken out of the coal mines ("Hollis Brown"), the transatlantic love ("Boots of Spanish Leather"), the simple, indignant protests (Medgar Evers's death). Although there was a diamond highway with nobody on it, he held to the crowded folk road, the old-style rambling around. On the back of the album, however, in "11 Outlined Epitaphs" he announced the passing of that earlier Bob Dylan. Guthrie was dead. Dylan was free, "without ghosts/by my side/ t betray my childishness/ t leadeth...

Author: By John D. Reed, | Title: Bob Dylan | 11/3/1967 | See Source »

Thus it was that the group's chief lyricist, John Lennon, began tuning in on U.S. Folk Singer Bob Dylan (The Times They Are A-Changin'); it wasn't Dylan's sullen anger about life that Lennon found appealing so much as the striving to "tell it like it is." Gradually, the Beatles' work began to tell it too. Their 1965 song, Nowhere Man ("Doesn't have a point of view, knows not where he's going to") asked: "Isn't he a bit like you and me?" Last year...

Author: /time Magazine | Title: Pop Music: The Messengers | 9/22/1967 | See Source »

...full disappointment this record brings cannot be blamed on its uneven quality; Dylan has edited badly before, notably on Times Are A-Changin', Optis 3. What is troubling now is a studied inarticulacy--a consistent deverbalization--which marks good and bad songs alike on Blonde on Blonde. Emblematic of the present wordlessness stands the cardboard jacket, filled with snapshots where past albums abounded in liner notes (often awkward but sometimes incisive). The songs themselves, by profuse blues repetitions and by overlong choruses, generally blunt the listener's attention to the language of the songs...

Author: By Jeremy W. Helet, | Title: OFF THE RECORD | 7/29/1966 | See Source »

...year or two, Bob Dylan, the prolific minnesinger from Minnesota, has refurbished the repertory of nearly every folk singer on record. Now Odetta lends her deep, dramatic voice to ten of his songs. She is as authoritative as the Delphic oracle in The Times They Are A-Changin', brave and bluesy in Walkin' Down the Line; but she melts the fierceness of Masters of War into a mere lament...

Author: /time Magazine | Title: On Broadway: Apr. 2, 1965 | 4/2/1965 | See Source »

...absentee growers. Before the season is out, Rose of Sharon's young husband has deserted, her baby is born dead in a filthy tent, Tom is in hiding for killing a vigilante. But Ma Joad says: "We ain't gonna die out. People is goin' on-changin' a little, maybe, but goin' right...

Author: /time Magazine | Title: Books: Oakies | 4/17/1939 | See Source »

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