Word: changing
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Dates: during 1950-1959
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...refugee camp a few miles outside Seoul last week, Ahn Nam-chang and her family were getting ready to go home. Nam-chang's husband was one of at least a million South Korean civilian casualties in the early days of the war, but she has a hunch that her old father is still living on his two-acre farm near Munsan. Nam-chang has three children. As if that were not enough, she has adopted a little girl-one of Korea's 100,000 war orphans-who would most likely have died...
...canceled his own furlough, volunteered to stay and help build bunkers. He was standing in a shallow trench, filling bags with sand, when five mortar shells came in. Joe was hit from head to foot by fragments, thrown on his back. He called to his Katusa Pal Choi ("Jacky") Chang Moon: "Where are my legs? Where are my hands?" They were dangling. He was rushed to the R.O.K. hospital in Pusan, where surgeons amputated all four limbs, and he became the fourth quadruple amputee of the Korean...
South Korean peasants, fearful of Communist guerrillas lurking in the hills, often go to market by sea. Last week 300 or 400 peasants, bound for hungry Pusan, squeezed aboard the 146-ton steamer Chang Kyong Ho (Prosperous Joy) cramming its hold with 400 sacks of rice. Off the Korean coast, the overladen Prosperous Joy encountered mountainous seas; a crashing wall of water cascaded into the hold, and the ancient vessel sank. Seven passengers, including the captain, swam to safety; the rest (perhaps 350) went to the bottom with the ship...
...printing presses rumbled their accompaniment. From Vice Minister of Health Fu Lien-chang came a long eulogy of Soviet medicine; from Feminist Teng Yingchao (wife of Premier Chou Enlai), a brochure extolling Soviet standards in marriage and personal relations...
...Movie Producer Merian C. Cooper (Grass, Chang, King Kong), who is devoting most of his time to the new process, says that Cinerama can do anything regular movies can do, and do it better. "The basis of drama doesn't change at all, but the method of presenting it changes radically," he says. Instead of moving the camera's eye, Cooper plans to direct the viewer's eye to the most dramatic spot. With panning made unnecessary, the scope of Cinerama's screen will increase the effectiveness of straight-on shots. Other techniques will have...