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...star turns are less important here than the visual vibe that Taymor brings to the songs. Strip away the plot - which would be my solution to the wrangles over final cut - and Across the Universe has about an hour of creatively illustrated songs. You could almost start a cable channel based on this aesthetic. Just think: What if a channel like MTV had... music videos...

Author: /time Magazine | Title: Dylan and the Beatles: Together Again! | 9/16/2007 | See Source »

Average instances of objectionable content per hour on Fox, the worst offender. The CW, the cleanest channel, averaged 9.44 instances per hour...

Author: /time Magazine | Title: Numbers: Sep. 24, 2007 | 9/13/2007 | See Source »

...considering that My Winnipeg was sponsored by Canada's Documentary Channel, you may wonder how many of Maddin's other assertions are factual? Does Winnipeg have "10 times the sleepwalking rate of any city in the world"? Is it really "the coldest city in the world"? I don't know. To me these sound like the boastful statistics that adults feed to an imaginative, impressionable boy, and that stick in his head forever - like the image of those frozen horses...

Author: /time Magazine | Title: Two Weird Canadian Geniuses at Toronto | 9/10/2007 | See Source »

David Lynch and Mark Frost made something really weird happen, and I'm not talking about Laura Palmer's murder, a dancing dwarf or a Log Lady. They turned prime-time TV into a giant indie art-house theater, and regular American channel surfers by the millions became its denizens. The story of a teen girl's death--and the pie-eating, deadpan-soliloquy-spouting FBI agent investigating it--carried on the theme from Lynch movies like Blue Velvet of sordid secrets and ancient horrors hidden behind a façade of wholesome Americana, proving that TV could equal or surpass...

Author: /time Magazine | Title: 17 Shows That Changed TV | 9/6/2007 | See Source »

...list, but B&B was so much more. It was a surreal comedy ("I am the great Cornholio!"). It was one of TV's great inside critiques, peeling back the MTV fantasy of unattainable cool and personifying the sugar-buzzed idiot children who paid the channel's bills. Like creator Mike Judge's later Office Space, King of the Hill and Idiocracy, it was an unsparing, minutely observed and surprisingly good-hearted picture of consumer America. And to the list of great philosophical dialectics--good/evil, yin/yang--it added another: "That sucks"/ "That's cool." Beavis and Butt-head were always...

Author: /time Magazine | Title: 17 Shows That Changed TV | 9/6/2007 | See Source »

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