Word: channelized
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...kids spend all their time in the government-funded Dance Barns numbing their minds on the music and the uncontrolled black market drugs. At home, the "oldies"--and the kids too wacked out even to crawl to the Barn--are watching channel 147, which plays an around the clock, brain washing mixture of snooker, music videos and government advertising. MTV may not bug you now, but just give it a couple years...
DAVIES' UNSUBTLE attack on contemporary cultural and political degeneracy focuses around our obsession with media. He's better at portraying his paranoid vision of its future than at moralizing about it, but you get the point. Channel 147's carefully targeted druggie DJ-snooker commentators, who are aimed both to reflect and numb the population, are perfect examples of Davies's vision...
...just everything goes wrong. Durang's sharpest dialogue is buried under layers of ambient sound. Scenes are diced until they lose all comic momentum. The cast moves like clubfooted puppets; they would be more fun if they had been photographed watching the Weather Channel. Beyond Therapy also suffers from something like pestilential bad timing. It is, after all, the story of a bisexual guy waffling between his mistress and his male lover. Durang, who has made wondrous mock of such sacred institutions as Roman Catholicism, child rearing and the Hollywood musical, might have considered confronting the last taboo by updating...
...author's own disbelief seems not to be wholly suspended in this drowsy, amiable thriller about the German Occupation of Britain's Channel Islands during World War II. The narrative is full of cinematic echoes. There is a real Field Marshal Erwin Rommel and a fake ("Heini Baum, Jewish actor and cabaret performer from Berlin and proud of it"), both of whom suggest James Mason in the title role of The Desert Fox. There is an Allied intelligence agent living hazardously as a German officer; Christopher Plummer lounged through just such a role in Hanover Street. A heartbreakingly young...
Most of the rebellion's drama centered on the Channel 7 TV compound in suburban Manila, where some 160 mutinous soldiers and 100 civilians huddled inside the walls while a thousand government troops waited nervously outside. Since friendships cut across the lines, the two sides opted to trade radio messages instead of shots. "Mommy, take care of my children," sobbed a female mutineer. Came the government's response, from the five-year-old daughter of Rebel Leader Colonel Oscar Canlas: "Daddy, come home. Mommy has a stomachache...