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Word: chantings (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...wanted to show the root causes of their heroine's own neurosis. The curtain went up on Dorothea as a nine-year-old drudge doing chores for her invalid mother (who was 20 years older than her minister-husband). Before a shabby house in Hampden. Me., neighbor children chant tauntingly: "Dorothea can't play." Not until she is 14 does the play show Dorothea happy, living with "My Aunt Sarah, who was my first real friend." In Boston, at 23, Dorothea Dix is engaged, but proves so reluctant to give up work in the school she has started...

Author: /time Magazine | Title: Medicine: Century's Progress | 5/30/1955 | See Source »

...novice together with a new name. For the next two years she leads the full life of a Maryknoll sister, but also studies Catholic doctrine, the essentials of religious life ("Emily Post in the Convent,"as the course is jocularly known), and the Mass responses and Gregorian chant."When they first come, nowadays," says Sister Jeanne Marie, the novice mistress, "their singing is a cross between a howl and a wail- I guess it's a torch-song background...

Author: /time Magazine | Title: Religion: Laborare Est Orare | 4/11/1955 | See Source »

...melancholy chant, full of the flavor of steaming rivers and hot forests, floated from the choir as the priest began the Mass. Suddenly, like the rumbling of a far-off storm, a drum joined in. "Ezè sè kènzapa," they prayed together. "We implore you, Our Lord...

Author: /time Magazine | Title: Religion: Bouloumboulou | 3/28/1955 | See Source »

...were tossed into a fire, and Mrs. Garrett was ordered to fetch and lay them before the altar of Papaleba. She accomplished this feat without burning her flesh; and thus, as she says, she passed her "trial by fire." As illustration, Mista Shabine sang for the audience the introductory chant to Papaleba...

Author: By Edmund H. Harvey, | Title: Mrs. Garrett's Haitian Trip | 2/17/1955 | See Source »

Amherst conductor Charles W. Ludington seems not to share Professor Woodworth's views. Largely because of poor diction and breathy tone, the Glee Club's sound was nearly always pale in upper voices and muddy in the bass. These failings actually enhanced the plain chant Te Lucis, but consistently spoiled the music of later composers. Even Charpentier's lovely Magnificat almost became an insipid bore--despite the excellence of violinists John Goodkind and John Barson, and Harvard cellist Stephen McGhee. After a mediocre Schubert cantata, the visitors offered a Bacchanals from Offenbach's La Belle Helene. At its close...

Author: NO WRITER ATTRIBUTED | Title: Radcliffe-Amherst Musicale | 2/7/1955 | See Source »

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