Word: chantings
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Dates: during 1960-1969
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Four years later, some 350 students rampaged through the Cambridge streets, demanding the head of Alfred Vellucci. The "We want Vellucci" chant resulted from Vellucci's proposals that the Cambridge City Council confiscate all Harvard property for use as parking space. Vellucci suggested alternatively declaring Harvard a separate city from Cambridge, or, should this fail, revoking Harvard's liquor licenses. The confiscation plan was rejected by the City Council by a 5-4 vote, and a frightened Vellucci later insisted that he had only put forth the suggestions to dramatize the City's parking problems...
...Latin Is, Pusey No," was the chant of 2000 traditionalists, led by a sixth year Latin student who, complete with toga and laurel wreath, orated from the steps of Widener on the virtues of the classics. The crowd decided to vent their indignation on President Pusey, who first merely wondered, "Why can't I ever have a quiet evening at home," and then tried to justify the Latin-to-English switch in verse (borrowed from the Bryn Mawr alumnae bulletin...
...weak; but it is her acting, not her voice, which makes us care about her even more than we do about the beautiful, corrupted children. Their main difficulty is that their voices aren't quite strong enough; and in the chimes scene, where their hymn deteriorates into a satanic chant, the horrifying words can hardly he heard at all. But J. Thomas Sullivan as Miles is so good an actor, looks so angelic, and sounds so pure, that his scenes are very moving even though we often have to strain to hear. His song in the schoolroom is a weird...
DIRECTIONS '66 (ABC, 1-1:30 p.m.). Pearl Lang is choreographer and solo dancer of Prayer for a Dark Bird, a ballet based on passages from the Navajo Night Chant. Earl Wild composed the music and Marian Seldes reads the chant...
...Chant D'Amour was not shown to the students of 4 because the staff deemed it irrelevant to the course. Its "blatant sexual imagery" (sic) was an additional complicating factor, though for the complaining student who visited the CRIMSON office in high dudgeon, this factor seems to have overridden any concern for the film's artistic merit or academic relevance. Would complaints have been forthcoming. I wonder, if showings of Cocteau's Orpheus or Kurosawa's Men Who Tread on the Tiger's Tail had been cancelled? The question of censorship, raised by the CRIMSON article, is not pertinent...