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...were tossed into a fire, and Mrs. Garrett was ordered to fetch and lay them before the altar of Papaleba. She accomplished this feat without burning her flesh; and thus, as she says, she passed her "trial by fire." As illustration, Mista Shabine sang for the audience the introductory chant to Papaleba...

Author: By Edmund H. Harvey, | Title: Mrs. Garrett's Haitian Trip | 2/17/1955 | See Source »

Amherst conductor Charles W. Ludington seems not to share Professor Woodworth's views. Largely because of poor diction and breathy tone, the Glee Club's sound was nearly always pale in upper voices and muddy in the bass. These failings actually enhanced the plain chant Te Lucis, but consistently spoiled the music of later composers. Even Charpentier's lovely Magnificat almost became an insipid bore--despite the excellence of violinists John Goodkind and John Barson, and Harvard cellist Stephen McGhee. After a mediocre Schubert cantata, the visitors offered a Bacchanals from Offenbach's La Belle Helene. At its close...

Author: NO WRITER ATTRIBUTED | Title: Radcliffe-Amherst Musicale | 2/7/1955 | See Source »

...words to go with their music, and for religious themes. Barber's 20-minute work used as its text none of Kierkegaard's intricate philosophizing, but some simple and often beautiful prayers which Composer Barber culled from the preacher's writings. The work begins with plain chant, moves on to orchestral fortissimos. a restrained soprano solo, joyous choral passages and occasional Dies Irae trumpet blasts. But the overall effect is quiet, without either the sweetness or the grandeur expected of religious music. It is clean rather than austere. But at its best, the music matches the tender...

Author: /time Magazine | Title: Music: Next to Godliness | 12/20/1954 | See Source »

...implications of the Westchester episode are staggering. They open up a whole new field to aggressive advertising. For a certain consideration to the MTA, streetcar motormen could be instructed to stop each passenger as he pays his fare, sieze him by the lapels, and chant: "THROW AWAY YOUR DISH TOWELS! The Crossly Automatic Dishwasher-Drier Washes and Dries faster then any other Dishwasher," or some such maxim...

Author: NO WRITER ATTRIBUTED | Title: The Safety Hoax | 12/15/1954 | See Source »

Lower voices repeatedly chant "glance aside," while the sopranos sing in a more sustained line of "old enchantments." And the evocation of magic "where the greylight meets the green air" ends with the climactic cry "Suddenly!"--a word lifted from the poem's opening line...

Author: By Robert M. Simon, | Title: Bach Society Chorus | 11/23/1954 | See Source »

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