Word: chants
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FRANCO GAVE US PEACE, JUSTICE AND WORK, proclaimed one of the many signs held aloft by demonstrators. Waiting for the ceremonies to begin, the crowd began to chant, "You notice it! You can feel it! Franco is here!" Then the Spanish national anthem boomed over the loudspeakers, and the Franquistas snapped to attention and put their palms forward in the straight-arm Fascist salute. Bias Piñar, 60, a former Franco appointee to the Cortes and now the leading activist of Spain's diehard rightists, stepped forward from his place beside the dictator's 52-year...
Syama-Kunda receives plenty of attention from the approximately 30 devotees currently living at the temple. He spends most of the day playing and getting into trouble, just like other kids. But his life is also structured around a strict Krishna regime which requires that he chant and pray with the other devotees as often as five times...
...Although I am not a member of the church, the ceremony was a gesture which I accepted from the people because it was their way to support me in coming back to school here. All through the night people sat around the fire in a hogan singing, praying and chanting with the drums. Old people sat up all night long praying and singing so that I could come back and help them. There were times when no music was played and each person prayed silently to himself. Other times the Road Man (medicine man) passed the prayer stick to some...
...plot has been a staple in many lands: the comic trials and tribulations of marriage brokers and their clients. Fiokla (Barbara Bryne) is an accomplished matchmaker, but she has something of a problem bride-to-be in Agafya (Cara Duff-MacCormick). Agafya is a mer chant's daughter and a bit of a ninny. The three suitors Fiokla lines up are chauvinist piglets. Ivan Pavlovich Poach'tegg (Jon Cranney) is a blustery, pompous bureaucrat. Poach'tegg (sometimes translated Omelet) is only after Agafya's property, a two-story brick house, the walls of which he thumps...
...ignored. In the '30s Shaw sang a chant of social significance; the tales are filled with laborers and struggling families indistinguishable from Clifford Odets or Arthur Miller characters. But by the '40s he had found his own voice, a Shavian mix of irony and poignance. Since then the supple prose has been, like Cheever's, dominated by sexual themes and by the attempt to lend common experiences and ordinary people a secular grace...