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Compared to the neat way American record companies have produced Mozart symphonies and Beethoven quartets in a series of performances by the recognized authorities in those fields, the treatment of Romantic piano music has been little short of chaotic. In this extraordinarily rich and varied field, there has been no planning, no skillful choice of works to be recorded, and little utilization of the pianists...

Author: By Otto A. Friedrich, | Title: The Music Box | 10/21/1947 | See Source »

...John soon found that the brown girl was not what he was looking for, and journeyed on. At last, after many adventures, John confronted the "aged, appalling . . . crumbling and chaotic" face of Death itself...

Author: /time Magazine | Title: Religion: Don v. Devil | 9/8/1947 | See Source »

...traces the gradual destruction of two boys of the Roman streets, twelve-year-old Giuseppe (Rinaldo Smordoni) and his close friend, 14-year-old Pasquale (Franco Interlenghi). They are attractive and resourceful children, at first appearance, living the anarchic, hand-to-mouth life of most of Italy during the chaotic period between the Italian and German surrenders. Then they become front men for Giuseppe's older brother, in a small-time black market deal. They are caught and locked up for questioning. If they had informed on their elders promptly, they would probably have been released; but courage...

Author: /time Magazine | Title: The New Pictures, Sep. 8, 1947 | 9/8/1947 | See Source »

February in Paris was cold, windless and grey, and its people beset with chaotic politics, strikes and shortages (see FOREIGN NEWS). Last week many a Parisian found a refuge from these storms in the sparkling new Galerie des Carets. There hung the paintings of a man whom some conservative critics have come to prefer to Picasso. He was monkish old Georges Rouault, whose fat, smoldering judges, jeweled kings, whores, clowns and solitary Christs grow richer and stranger year by year. They looked not like paint but hot coals, caked angrily into patterns by a muscle-bound man with a trowel...

Author: /time Magazine | Title: Art: Looking In | 3/3/1947 | See Source »

...Modern Art's "worst blunder," a "combination of preciosity and of the hunting down of butterflies with the aid of caterpillar tractors." His simple compositions seemed frozen into place by the fussy discipline of an old man. But to a public weary of modern art's chaotic ugliness, Hirshfield's childlike craft and gay colors were refreshing. Picasso said, just like that: "He's a great artist...

Author: /time Magazine | Title: Art: You Too Can Paint | 2/24/1947 | See Source »

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